Glow, Glow and More Glow

I first was introduced to Charlotte Tilbury Instant Look in a Palette in Beauty Glow in Alix's Current Everyday Makeup Routine. Initially, I didn't think much of it, given it seemed like another beautiful but expensive makeup item that was beyond my buying capacity. But as I was lying in bed one night, I recalled how gorgeous it was and googled it out of curiosity. To my surprise, I discovered it for a not too outrageous price on NET-A-PORTER. For whatever reason, it was discounted by 20% and the pound to Australian dollar conversion (minus UK sales tax) ended up being more favourable than the local Australian price ($99) or the USD to AUD equivalent. Even with $10 AUD shipping, I paid all up under $65. Still pricey, but I want nice things okay.

What appealed to me was the fact it's a palette with both eye and cheek products. I only have one other palette that incorporates both eyeshadows and blushes, and that's the Laura Mercier Lingerie Eye & Cheek Palette, but even then that doesn't have a bronzer or highlighter. As the name "Instant Look in a Palette" suggests, everything you need is laid out in front of you, so your whole face can be done (base notwithstanding) in a matter of minutes. Charlotte herself demonstrates the palette in this video, though the model has a medium skin tone (and perfect face, lbr) so I didn't know exactly how the powders would look on a lighter complexion like mine. I just liked the idea of being able to travel with this one palette, especially for special occasions like to a wedding, which might call for a fully made up look.

This is the third iteration of the Instant Look in a Palette, with the first being Natural Beauty and the second Seductive Beauty. I was under the impression the past versions were limited edition and therefore would've sold out ages ago, but Cherie brought to my attention they're still available for purchase on the Australian Charlotte Tilbury website. There's plenty of information on the interwebs comparing all three versions, but briefly, Natural Beauty has more subtle, lighter eyeshadows and pink-toned blushes ("champagne, pink and neutral shades"), Seductive Beauty has more taupe/cool-toned eyeshadows, a warmer, darker contour and more pink-toned highlighter ("pale pink, taupe and chocolate brown shades") and Beauty Glow is more "rose-toned and bronze". I probably preferred the look of the cheek shades in Seductive Beauty, but the eye shades in Beauty Glow.

l-r: Eye Brighten, Eye Enhance, Eye Smoke

l-r: Face Highlight, Face Bronze

l-r: Filmstar Bronze & Glow Highlight, Beauty Glow Face Highlight, Beauty Glow Face Bronze, Filmstar Bronze & Glow Sculpt

l-r: Filmstar Bronze & Glow Highlight, Beauty Glow Face Highlight, Beauty Glow Face Bronze, Filmstar Bronze & Glow Sculpt

I was very curious to compare the Face Bronze and Face Highlight shades to the Charlotte Tilbury Filmstar Bronze and Glow palette. I wasn't able to get much information comparing the two prior to my purchase, except for one YouTube video where the reviewer remarked they looked the same. I wouldn't agree with that assessment. The highlight in the Filmstar Bronze & Glow is peachier and slightly darker, whereas the highlight in Beauty Glow is brighter, more champagne, cooler-toned, icier. The sculpt shade in Filmstar Bronze & Glow is darker, cooler, more of a contour powder, whereas the equivalent shade in Beauty Glow is warmer, lighter, more orange in tone — some people have compared it to Benefit Hoola Lite. I have read reviews that the quality of the face powders in the palettes aren't as good as standalone products like Filmstar Bronze & Glow, but I haven't noticed any major difference. Maybe the Beauty Glow highlighter is slightly chunkier and has a tendency to sit on top of the skin a tad more than the one in Filmstar Bronze & Glow, but by and large, they seem like the same formulation.

l-r: Cheek Pop, Cheek Swish

After using this palette for three weeks, I'm kind of on the fence about it. Yes, it is aesthetically beautiful, Italian-made, everything feels expensive and high quality (as it should!). Charlotte Tilbury knows how to sell her products, but at the same time, if they didn't deliver and perform, they wouldn't enjoy the popularity and good word of mouth they do.

My main issue with this palette is the shades. I thought I would love them, since rose gold and bronze is everything I love, but it's a different story when it comes to how they work on my face. First, I don't actually like the colour of the eyeshadows that much. The Eye Brighten is basically useless to me as I don't find any point in priming with a light shimmery powder eyeshadow (I use a dedicated cream eyeshadow for primer), and as an inner corner highlight, I could just use the Face Highlight. The Eye Enhance shade is meant to be the star of the show and a major selling point of the palette, but it doesn't excite me. I'm not talking the quality — the shadows are smooth, blendable, long-lasting and pigmented. I just mean the colour. It's honestly just not unique enough for me to really care. I have so many similar rose gold, coppery shades (e.g. Clinique Chubby Stick Eye Tint in Ample Amber, Benefit Creaseless Cream Shadow in My Two Cents, Holika Holika Jewel Light Marble Cushion Eyes in Orange Cappuccino), some of which are much more metallic and vibrant (e.g. Makeup Geek Grandstand, Colourpop Game Face, Urban Decay Chopper or Trick, Rimmel Eye Shadow Stick By Kate in Rose Gold). The Eye Enhance is actually on the lighter side for my skin tone. I prefer something darker but more neutral in colour as an easy, all-over lid wash, but this is distinctly orange-toned and gives more subtle shading and a glimmering effect. I then have to deepen the look with the matte chocolate brown Eye Smoke shade, but it's almost like that's not dark enough for what I want to achieve. I would have preferred something with more instant definition like Sable or Espresso from the LORAC Pro Palette, or Anastasia Beverly Hills Fudge.

Moving onto the cheek shades. Cheek Pop is your generic shimmery warm pink. The shimmer and pigment are intense, so I need a really soft, floppy brush like Wayne Goss Brush 14 or SUQQU Cheek Brush to apply it. Colour-wise, think NARS Orgasm or a multitude of shades in those little blush pots from Bourjois (if it begins with the word "rose", you're probably on the right track). If I thought Cheek Pop was pigmented, I hadn't seen anything until Cheek Swish. I genuinely do not understand the inclusion of this shade in the palette. It's so dark and brown and metallic. You would only need a minuscule amount and even then, it would have to be blended to death. I appreciate the thought of adding something that wasn't just another ho hum pink blush, but I would have preferred a less intimidating, more "wearable" peachy/nude shade (like Benefit Rockateur or Clinique Cheek Pop in Nude Pop). This is just too much effort to tackle on a daily basis, the fear of creating a muddy, shimmery mess constantly hovering over you. I used it as an eyeshadow and even then, it was uncomfortably dark. I love a daytime soft smoky eye, but this was overboard.

No one found it a little strange that the Cheek Swish shade was magnitudes darker than the Face Bronze shade? Those are going to be some really defined cheeks. While I prefer the Sculpt shade in Filmstar Bronze & Glow to the Face Bronze in Beauty Glow, I like that it's lighter and warmer so there is that point of difference, since there wouldn't be much excitement if they were identical shades. I use the Charlotte Tilbury Powder & Sculpt brush to apply it and it's a perfect pairing. The Face Highlight is probably one of my favourite things about the palette. It alone makes the entire look when everything is used together. Your face looks like it's basking in an ethereal glow, especially when some is placed down the bridge of the nose.

One final thing about the palette is that all the shades except Eye Smoke are shimmery, so you can imagine the overall look it's going to give you. I love to glow as much as the next person, but these aren't subtle in the shimmer stakes, nor are they liquid/cream textures that you might be able to blend more seamlessly into the skin. They're all powders and invariably have to sit on top of the skin, so even with careful blending, it's a lot to have shimmery eyeshadow and shimmery blush and shimmery contour and shimmery highlight. Naturally, your comfort level may vary. Of course you can try to tone things down by prepping and priming the skin well, adjusting the amount of product, maybe opting for a different matte blush or eyeshadows, and spritzing all over with a setting spray/face mist at the end.

Magic Revealed

A while ago, Beautylish kindly sent me this 15ml sample of Charlotte Tilbury Magic Cream. I used it sparingly over the course of about a year and only recently finished the small pot. I had such a curiosity about this cream before I tried it and now that I have, I have mixed feelings. In short, I like it, but I probably wouldn't repurchase.

Ingredients: Water (Aqua), Homosalate, Glyceryl Stearate SE, Ethylhexyl Salicylate, Butylene Glycol, Glycerin, Butyl Methoxydibenzoylmethane, Octocrylene, Cetyl Alcohol, C12-15 Alkyl Benzoate, Cyclopentasiloxane, Dimethicone, Phenoxyethanol, Butyrospermum Parkii (Shea) Butter, Steareth-21, Avena Sativa (Oat) Kernel Extract, Carbomer, Dimethiconol, Potassium Cetyl Phosphate, Chlorphenesin, Caprylyl Glycol, Xanthan Gum, Hydrolyzed Viola Tricolor Extract, Allantoin, Aloe Barbadensis Leaf Juice, Disodium EDTA, Tocopheryl Acetate, Camellia Oleifera Seed Oil, Rosa Canina Fruit Oil, Rosa Damascena Flower Water, Sodium Hydroxide, Helianthus Annuus (Sunflower) Seed Oil, Michelia Alba Leaf Oil, Sodium Lactate, Coco-Glucoside, PEG-8, Ethylhexylglycerin, Sodium Hyaluronate, Tocopherol, Palmitoyl Oligopeptide, Palmitoyl Tetrapeptide-7, Ascorbyl Palmitate, Plumeria Rubra Flower Extract, Ascorbic Acid, Citric Acid, Nicotiana Sylvestris Leaf Cell Culture, Linalool, Citronellol, Geraniol.

First, let's talk the price. This stuff ain't cheap. On the Australian Charlotte Tilbury website (there are yet to be any physical stockists of the brand in this country), it retails for $125 for 50ml. Meaning that 15ml pot was $37.50 in value. The price is certainly a major deterrent to repurchasing. In that price bracket, we're talking luxury face creams. I don't think I've spent more than $50 on a face cream, so double to triple that is not something I've entertained. The ~$50 face creams I have tried (e.g. Trilogy Rosapene Night Cream, Clarins Multi-Active Night) have been perfectly adequate for me. I haven't had any particular curiosity about whether a vastly pricier product would also be vastly superior in performance.

The legend with Magic Cream, long before Charlotte Tilbury set up her own line of products, was that as a makeup artist, she mixed up her own face cream that she would slather onto her models' faces backstage before she made them up at the fashion shows. This mysterious, self-concocted cream was supposedly so revitalising and transformative on the models' tired, dull, in-need-of-TLC skin that it was dubbed the "magic cream". Of course when Charlotte Tilbury established her brand, it had to be one of the star products of her range.

The first thing I noticed about Magic Cream was that it was distinctly white (perhaps due to the presence of SPF). The second was that it was thick and a little hard in texture. The third was that upon contact with the skin, it melted and spread out easily, becoming quite greasy to the touch. The skin was left with a slight white cast once the product had been rubbed in, but in a way that was brightening to the complexion. It's not one of those creams that's immediately soothing and gives the skin the sensation of having a big drink of water. It's too emollient and heavy for that. Having said that, it doesn't leave your skin like a total greaseball. There is a certain refinement to the way it's absorbed into the skin even for a rich cream. Once absorbed, it reminds me a lot of Alpha-H Daily Essential Moisturiser. It's not a scented product and the only smell it has is really of sunscreen.

Due to the presence of SPF, I've only used Magic Cream in the day. It sits well under makeup and despite its richness doesn't break up foundation or anything like that. On bare skin, it does give a bit of a plumping effect due to all the oils it's delivering to the skin. It's certainly not an oil-controlling cream, so I don't know how oily skin types would fare with this. On my normal to dry skin, it was on the heavy side and only something I'd reach for occasionally, when I felt my skin required it. It wouldn't be something I'd be inclined to use daily.

At $125, I much prefer Eve Lom Brightening Cream ($144 for 50ml) for everyday use, my jar of which I've tragically just used up. It's a lot more pleasant to use (the jammy rose scent is gorgeous), it's comforting on the skin, not greasy but still hydrating, great under makeup, and I actually feel like it improves my skin. Not things I can say unequivocally about Magic Cream.

Best of 2015

Is it just me, or are yearly favourites posts/videos not that exciting anymore? I'm not sensing as much interest in them as say, 2-3 years ago. Most bloggers do monthly favourites, so the yearly one is a "best of the monthly favourites" more than anything. Still, I wouldn't feel right not following tradition, so here are the products that stood out to me the most in 2015.

Morphe Brushes Jaclyn Hill Favorites Palette
Even though shipping cost more than the palette itself and I jumped through hoops to order it (including abruptly waking up at some obscene hour and entering my credit card details bleary-eyed), this 28-pan eyeshadow palette is a classic example of a product only a makeup junkie would buy, and could fully appreciate. Given it's limited edition, I feel happy and lucky even (corny as it sounds) to have it in my possession. There isn't a single dud in terms of pigmentation and texture. The matte shades are the best I've tried for the price point. Full review and swatches here.

Australis Velourlips Matte Lip Cream in Pa-ree
Though I have too many lip products to count, rarely do I encounter one that genuinely is a game changer. Pa-ree is just that. The matte lip cream formula is virtually faultless — far and away the most comfortable and forgiving I've tried, while remaining ultra matte and opaque. But the colour is what makes this product special. It's unlike any nude I've ever come across. A muted peachy caramel with slight greige tones. Obsessed.

YSL Le Teint Touche Éclat
My favourite foundation discovery of the year, beating other high end contenders like Koh Gen Do Aqua Foundation, Dior Diorskin Nude BB Creme and Giorgio Armani Luminous Silk Foundation. Simply put, Le Teint Touche Éclat beautifies your complexion while still retaining the appearance of natural skin. Good coverage and a soft, radiant, airbrushed finish. Especially great for dry skin.

Essie Cocktail Bling
I know buying Cocktail Bling ... can only mean one thing. That it'll be on my toes and fingers for pretty much most of the year, no exaggeration. I like it more than comparable, sophisticated neutrals like Nails Inc. Porchester Square or OPI Tickle My France-y. It's that kind of effortlessly cool colour you wear while dreaming of a Scandi kitchen and the perfect roll neck sweater.

Rimmel ScandalEyes Shadow Stick in Bad Girl Bronze
An ancient product, but one that I felt deserved a mention here. Absolutely on par with any high end offering, this has been a failproof, go-to option at home, on the run, and travelling abroad. Creamy but not hard to work with and intensely pigmented, the colour is gorgeous (look at the multi-coloured shimmer in the light and tell me otherwise), it lasts forever and the stick format ensures it can be used as eyeliner or cream shadow. Back up already purchased.

Maybelline HyperSharp Wing Liquid Liner
I didn't think I'd find anything to rival the Dolly Wink Liquid Eyeliner in last year's favourites, but I was pleasantly surprised at how good this Maybelline one is. I've been using it nonstop since I bought mine in August. It's everything you want in a liquid liner: easy to use, precise, a non-floppy or fraying tip, nicely black and not watery or grey, long wearing, and won't run out in a week (mine is admittedly on its last legs, but it has been over 4 months).

Rosebud Perfume Co. Rosebud Salve
I really didn't expect to like this as much as I did. Initially, I thought it was no better than slightly fancier Vaseline. But consistent use throughout the year has made me see the light. Soothing, moisturising and pleasant to use, it also gives the lips a cushiony, glossy rosiness that's awfully pretty.

Radical Hydrating Cleanser
Yes, $52 for a cleanser is steep, but this has been my standout skin care product of 2015. My tube hasn't run out yet, and I've been using it almost daily for 6 months, with a few short-lived breaks as I briefly turned my attention to other options. For a morning cleanser, I haven't come across anything better. Wonderful smelling, hydrating, non-foaming, gentle, nourishing-feeling, non-irritating to the eyes and easily washed off. Never leaves my skin feeling tight, dried out or stripped after I rinse it off.

Maybelline Lash Sensational Mascara
The best mascara I've used all year. Excellent wand that gets to each lash. Extends, thickens and curls while minimising clumping. Formula is long lasting, doesn't transfer or flake. Often compared with Benefit Roller Lash, I have a sample of Roller Lash and find Lash Sensational superior.

Charlotte Tilbury Powder & Sculpt Brush
Honestly, I don't even know why I continue to buy or look at buying brushes to contour, highlight, powder or apply blush when this exists. Especially contour. I doubt I could find anything better than the Powder & Sculpt Brush for that purpose. Apart from the fact it's absolutely beautiful to look at, it's extremely functional. The shape, the hairs (not too floppy that it's hard to pick up product, but not prickly or lacking in softness by any means), the handle. Everything works for the results you want.

Wayne Goss Brush 14
Now this is a soft brush. Only my Suqqu Cheek Brush is softer in my entire brush collection, but that was $160 and this was $50. Brush 14 is my new staple in pigmented or soft-textured powder blushes. It applies and blends product like a dream. For the quality and craftsmanship, I think it's actually priced competitively.

Charlotte Tilbury Filmstar Bronze & Glow
Saved for the best for last, you could say. I called it earlier in the year when I predicted this would appear here. While undeniably pricey, I can confidently say if you have this, you basically don't need any other contouring or highlighting products. Because the individual 'Sculpt' and 'Highlight' pans are the pinnacle of both fields. You also get a whopping 16g of product which will last forever. And of course, the packaging is DIVINE.

High End Highlighter Wardrobe

Highlighter seems to be having a resurgent moment, despite never truly dropping off the radar. Still, with the release of Becca x Jaclyn Hill Shimmering Skin Perfector Pressed in Champagne Pop (purportedly breaking Sephora records for sales of a new item) and talk of "strobing", highlighting seems to be back bigger than ever. I've always loved highlighter (the obsession started at the very beginning of the blog), and still regard it as one of the most enjoyable aspects of makeup. Here, I've rounded up my high end powder highlighters. Among them are some of my favourite makeup items ever.

theBalm Mary-Lou Manizer
Generally regarded as one of the best highlighters out there, and for good reason. For anyone remotely into highlighter, the Mary-Lou Manizer is a must have (chances are, you already own it). This is the strongest, most visible highlighter out of the 5 I've featured. The texture can't be faulted: smooth, soft and buttery, almost creamy, not powdery in the slightest. It blends effortlessly. As it's so pigmented, it requires a light hand and applies best with a small fluffy brush like the SUQQU Cheek Brush.

Napoleon Perdis The Ultimate Contour Palette Highlight shade
Recently included in my January 2015 Favourites, there's been no loss of enthusiasm since. This one is special because it's glowy as opposed to shimmery or metallic. It's also the most refined in that you can't detect any shimmer particles — it just projects a luminous sheen. Excellent texture and quality.

Stila All Over Shimmer Powder in Kitten
I was fortunate to win this in the Stila Party in a Box set that also had a Lip Glaze in Kitten. Since then, I admit I haven't reached for it very often. I do like the colour, but texture-wise it's a bit chunky and not as finely milled as the others. The shimmer is more frosty on the skin and looks slightly gritty and dry.

Dior Diorskin Poudre Shimmer in Amber Diamond
One of those products I'm so thankful to have in my makeup collection, because I'm not sure how I could get my hands on it now. Christine of Temptalia calls it her "all-time favourite highlighter", though that declaration was 7 years ago. Still, I can understand why. As it's a gradated strip, there's more choice and versatility with the colour selection. Overall, it produces a very flattering, softly glowy effect that instantly adds radiance and dimension to the face. It has a slightly harder texture than the others so I prefer using it with a flatter, firmer brush like the Real Techniques Setting Brush. A softer, fluffier brush might not pick up enough product and distribute it in a concentrated enough manner along the cheekbones. Full review with swatches here.

Charlotte Tilbury Filmstar Bronze & Glow Highlight shade
Ahhh, the Filmstar Bronze & Glow. Such an incredible contouring palette and worth every penny. The Highlight shade in this duo is powerfully luminising but not greasy or pore-accentuating. Being so smooth and soft in texture but not crumbly, it blends with hardly any effort. I almost exclusively apply it with the Charlotte Tilbury Powder & Sculpt Brush which places and diffuses the product brilliantly.

l-r: theBalm Mary-Lou Manizer, Napoleon Perdis Highlight, Stila Kitten, Dior Amber Diamond, Charlotte Tilbury Highlight

l-r: theBalm Mary-Lou Manizer, Napoleon Perdis Highlight, Stila Kitten, Dior Amber Diamond, Charlotte Tilbury Highlight

Colour-wise, theBalm Mary-Lou Manizer is the most yellow-leaning/champagne. The Napoleon Perdis is an ethereal pearly pink and the lightest. Stila Kitten is a rose gold/pinky bronze with a touch of frostiness. Dior Amber Diamond (mixed together) leans the most orange/copper, though the exact colour obviously depends on what section of the strip your brush is dipped into. (The lightest shade to the left, a pale yellow gold, is a stunning inner corner highlight.) The Charlotte Tilbury is like a peachier Mary-Lou Manizer, with glints of yellow, orange and pink when inspected under the light.

There's just something about highlighter that injects instant glamour and lift to the face. It literally brings light to the complexion and is that final, beautifying step that ties everything together. I don't wear it every day, but when I do, I'm reminded how much an impact it does make. Plus, it's just fun. Who doesn't want to cheat higher, more prominent cheekbones or give themselves a touch more glow? Since I took photos for this post, I may have purchased theBalm Cindy-Lou Manizer and pre-ordered Becca Champagne Pop. I'm still looking to eventually add Kevyn Aucoin Candlelight to my collection. And while it's not a powder, I think I need some of the MAC Cream Colour Bases. I was fixated on highlighter in the early stages of the blog and I'm still hunting down highlighters now. Some old loves show no signs of fading.

February Favourites

We're well and truly settled into the new year with February done and dusted. I can't remember much about February except watching the Oscars and buying too much makeup. Unfortunately, the second thing seems to have carried into March. Most of my picks for February have been products I've mentioned before, so I almost didn't want to do a post to avoid repeating myself. But I guess that's how you know if something's good: when you keep coming back for more.

Melvita Damask Rose floral water
A very straightforward rosewater toner that I've been routinely spritzing after washing my face in the morning. It's a good alternative to my Avene Thermal Spring Water to re-hydrate my skin after cleansing. If it's left to completely evaporate off the face, it can feel slightly tightening and drying. For this reason, I prefer to apply my serum (back on the Indeed Labs Hydraluron, trying diligently to finish it) and moisturiser when my skin's still a little damp from spraying this. Because of its basic, pure composition, I don't find it irritates or stings, even when I get it in my eyes.

Bottom to top (from the Charlotte Tilbury Filmstar Bronze & Glow): Highlight, Sculpt

Charlotte Tilbury Filmstar Bronze & Glow + Charlotte Tilbury Powder and Sculpt Brush
This could've easily been featured in last month's favourites as well, but I was toying with the idea of dedicating a separate, full post to it instead. I'll just rave about it here. These two products are worth every penny. Admittedly, the brush can feel a bit stiff initially and it takes some time and a couple of washes to fluff up and become more pliable, but once it reaches that stage, it's the single most effective contouring tool I own. The shape just works for my face in a way no other brush has. The Filmstar Bronze & Glow is an utter revelation. I've used it almost every single day since it arrived. It gives the face a healthy, lifted luminosity and earthy warmth and definition. Charlotte Tilbury absolutely nailed this one. It's honestly surpassed my every expectation. I'm calling it now: I'll be VERY surprised if this doesn't end up in my yearly favourites.

Laura Mercier Tinted Moisturiser
My preferred weekend base when I usually can't be bothered with a full face of foundation. My love for the Laura Mercier Tinted Moisturiser in Nude is still strong, though I suspect my tube is dangerously close to its expiry date (if it hasn't already surpassed it). It's not applying to my skin as smoothly as before, but it's not a total write-off. I just need to put more time and effort into prepping my skin and blending the product in. It's worth it when the result is luminous, dewy, natural-looking skin.

Rimmel Wake Me Up Concealer + Real Techniques Deluxe Crease Brush
Laura Mercier Tinted Moisturiser looks even better when I conceal areas of redness, blemishes, and neutralise uneven skin tone with my Rimmel Wake Me Up Concealer in Classic Beige. The best tool I've found to apply it is the Real Techniques Deluxe Crease Brush. It works just as well as the Domed Shadow Brush which was my concealer brush discovery in July 2013. The Pixiwoo sisters use the two interchangeably to apply their concealer, and it's not hard to see why. The brushes are small enough for fairly precise application (though pinpoint concealing this ain't), but soft and rounded enough to blend product in seamlessly. Sometimes I really wonder why I don't always bother with concealer after my base. The effect might be subtle, but that final skin-perfecting step really does make all the difference.

Australis Velourlips Matte Lip Cream in Pa-ree
"Kylie Jenner lips" seem to be all the rage now, and this is the closest product I've found that achieves that look without going overboard. At first I was intrigued by the shade Pa-ree because I heard rumblings on Instagram it was something of a dupe for Lime Crime Velvetines in Cashmere. While I don't have Cashmere, judging from swatches online, Pa-ree looks to be a much more "wearable" version. It's a contemporary reddish nude that gives the appearance of full, plumped, rosy lips. I would almost go as far as to say this might be my holy grail nude lip colour. It's not "nude" in the pale beige/flesh tone way, it's a "my lips but better" nude that tones down and perfects the natural colouring of my lips, while adding a lil somethin' extra. The matte finish also gives finesse and sophistication. I LOVE the formula of the Australis Velourlips. They're incredible for the affordable price point ($10). I don't find them overly drying and most miraculously, they don't settle into lip lines. I usually apply it straight from the tube haphazardly, then press my lips together and dab with my finger to spread/blend the product. The end result looks like you put in a lot more effort than you actually have.

KIKO Glamorous Eye Pencil in Golden Hazelnut (401)
This has barely left my lower lash line the whole month. I don't know if I've come across a better pencil to define my lower lash line. The metallic copper shade is perfection (goes with almost any eyeshadow, or at least the neutral shades I stick to, and adds more "pop"/liveliness than a black, grey/taupe or darker, conventional bronze), it's long wearing, applies smoothly without tugging on the skin, and doesn't irritate my eyes. It was also €4.20, or $6. Basically, KIKO need to open up a shop in Australia.

l-r: Charlotte Tilbury Highlight, Charlotte Tilbury Sculpt, Australis Pa-ree, KIKO 401

Smoke and Stars

The Dolce Vita palette by Charlotte Tilbury was the single most anticipated item in my Beautylish haul. I agonised over whether I wanted to fork out $70 for four pans of eyeshadow, but eventually decided there was no point in further resisting. We all have our vices, and mine just happens to be makeup. I actually managed to swatch some of the quads at Selfridges when the line first launched in September 2013 (coincidentally, I was on holidays in London at the time), but couldn't bring myself to pay the equivalent of a 12-pan Urban Decay Naked palette for something with two-thirds fewer options, no matter how gorgeously packaged. The quality (in terms of the pigmentation and texture) and the shade selection also didn't seem that unique. I'd never been particularly enticed by the world of high end makeup (I'm not one to stalk the Dior, Chanel, Tom Ford, etc. counters), and Charlotte Tilbury seemed very much in that bracket. Still, in the months that followed, I couldn't help but be persuaded by countless Tilbury raves. There was something about the brand that proved irresistible, and I wanted a piece of the action.

l-r: Prime, Enhance, Pop, Smoke

Like each of Charlotte Tilbury's Luxury Palettes, they're colour-coded with a Prime, Enhance, Smoke and Pop shade. The four shades are designed to complement each other and work harmoniously to create a total eye look that can be taken from day to night. Charlotte Tilbury herself demonstrates ways to wear the quad in this video, starting with the "Prime" and "Enhance" shades for a daytime look, while amping up the drama and sultriness for the evening by adding the "Smoke" shade to the outer-V, socket and underneath the eyes, and dabbing the "Pop" colour all over the lid with the fingers.

"Prime" is a peachy, slightly pink-toned shimmery highlight shade. "Enhance" is a very warm-toned, richly metallic reddish bronze. "Smoke" is a minky chocolate brown threaded with gold, with slight olive tones. "Pop" is a copper/gold sparkly top coat, not much different to a fine, pressed glitter.

A lot has delighted me with the Dolce Vita palette. There's minimal fallout, particularly commendable for the "Pop" and the darkest "Smoke" shade, which isn't something I can say for the majority of eyeshadows I have. The shadows are extremely easy to blend and the colours are expertly put together. The wear time is also one of the most impressive aspects. The glitter stayed PUT and was glimmering past midnight like it'd been freshly applied. Shadows retained their vibrancy and pigmentation without fading. Even the highlight shade in the inner corner, traditionally the first to go, still remained after 15 hours. Say what?

The Dolce Vita reminds me a lot of Tom Ford Eye Colour Quad in Cognac Sable, right down to the same coppery glitter top coat. I've always lusted after Cognac Sable (or Golden Mink), but it's an eye-popping $110 in Australia, so it ain't happening. The Charlotte Tilbury is equally luxurious, more compact and feminine in terms of packaging, and quite a bit cheaper (though both are crazily expensive). While I normally don't splurge on high end eyeshadow quads/quints, preferring instead to spend my money on palettes like the LORAC Pro Palette, Urban Decay Naked palettes or the Too Faced Chocolate Bar Palette, the Dolce Vita has easily and quickly become a favourite.