Rating Holiday Beauty Buys

And by "holiday beauty buys", I merely mean stuff I've purchased in the last couple of months leading up to Christmas. I've been visiting Sephora and Mecca Maxima/Cosmetica at an alarming rate, and couldn't pass up Priceline's recent 50% off makeup sale. And let's not even mention online shopping, probably my ultimate weakness. Dedicated trips to my Australia Post Parcel Locker constitute my most regular form of exercise.

In any effort to blog more often, I've decided to rate just 1-2 products per post. (Well, that might not be 100% true, it's more that I'm also lazy and doing a mammoth post featuring a lot of products is both a long hard slog to write and read.) So, little tid bits!

Speaking of photos, I've just read that Flickr, the website I use to upload photos for my blog, is implementing the below changes:

January 8, 2019: Free accounts will be limited to 1,000 photos and videos. Free accounts with more than 1,000 items will no longer be able to upload new photos or videos.

February 4, 2019: Any items over the 1,000-upload limit will be at risk of deletion, starting with the oldest of the items.

Which is to say I guess I've no choice but to start uploading my pictures directly to Blogger from now on, and that there could be disappearing images on the blog from February. Thanks, Flickr.

Anyway, back to the products.

Let's start with the biggest disappointment.

Maybelline Countdown Palette

Rating: 2/10

When I bought this, there was no tester in the store and no swatches or reviews online. But, because I was fairly happy with the Maybelline Soda Pop Palette, and noticing this palette was made in Italy (ooohhh), I took a chance. It is an insane $29.95 RRP in Australia, but I purchased this at half price from Priceline. There is no doubt in my mind if there was a tester, I wouldn't have wasted my money.

Billed as Maybelline's holiday palette, I was conjuring images of impossibly pigmented, sparkly, glittery shadows in flattering festive shades. The reality is, it's chalky, dry, chunky, lacking pigmentation (except for maybe one matte and two metallic shades), and just totally unnecessary in the scheme of the palettes I already own. If you like the matte berry/magenta/orange shades, I have everything from Anastasia Beverly Hills Modern Renaissance to the original Morphe x Jaclyn Hill Favorites Palette (the one that no one remembers or cares about anymore). The metallic goldy/peachy shades are also extremely reminiscent of the Too Faced Semi-Sweet Chocolate Bar Palette. Basically, I already have superior versions of the colours in this palette.

The four larger pans, which appear to be more eyeshadow bases or toppers and could even pass for face highlighters, are generic, uninspiring and very average in quality. They're so light in colour that they're more a sheen on the lids than anything that provides definition. The only shade that truly caught my eye, and that I had high hopes for, was the glittery copper at the centre bottom right. Sadly that also proved to be a letdown. Even then, it's still the most interesting and "special" shade in the entire palette, despite being flaky, weak in pigment, fall out central, and overall underwhelming. If I wanted a beautiful gold glitter topper, I could just get out my Charlotte Tilbury Dolce Vita quad, or the incomparable gold leaf shade in the Clarins Odyssey palette, still one of the most stunning things in makeup I've ever seen.

Lesson learned: don't buy unless there's a tester. And thoroughly scan existing inventory to see if anything matches what you already have. Of course, rational tests like this should be second nature for someone who has spent thousands of dollars on makeup. Let's hope failing constantly will one day produce change.

Maybelline Fit Me Loose Powder

Rating: 6.5/10

I was extremely hyped for this given NikkieTutorials swears by it and it takes approximately 12 years for anything "hot" to make it to Australia. I should've probably reflected on Nikkie's makeup style and application vs. my own in deciding to purchase this. I basically never powder and if I do, it's almost always with a pressed powder. In fact, this might be my very first loose powder purchase ... pretty remarkable when you consider how long I've been into makeup.

It has all the usual pitfalls of loose powders, being having to turn the jar upside down to get powder out, the struggle to get the right amount of product on your brush, the potential messiness and spillage. I use the best of the best to get it on my face (Wayne Goss Brush 00), and it does apply to the skin nicely and provide a more matte, smoother appearance. But my main feeling is I don't think it does anything for my makeup application. As oil control, it's entirely ineffective (I experienced little to no meaningful difference in how oily my skin was during the day using it and not using it). It perhaps locked in my base for a little bit longer, but seemingly at the expense of slightly cakier skin. I found that when used all over, other powders (blushes, highlighters) looked more chunky, visibly sitting on the surface and not melding into the skin, especially near the under eye area. I prefer a dewier, more glossy complexion, and I've accepted there is basically no good way to eliminate oils from the skin except for a good blot, so this loose powder just seems like a fiddly, extra step in my routine that provides no clear benefit. Results may be better if applied with a damp sponge, so at the very least there's room for improvement with experimentation.

Quick, Full Face Makeup

I don't know about you, but I'm fairly hopeless when it comes to fast makeup. Fast for me is 10-15 minutes (and let's face it, it's always more 15 minutes). Lately, I've been trying to simplify my routine so I can get away with less effort as I'm getting ready, all the while maintaining a full face approach, using few brushes as possible and placing a premium on products that will last the distance. Here's what I've been reaching for:

I start with a cleansed face and one pump of my current daytime moisturiser, Botani Boost Balancing Moisturiser. I purchased this moisturiser during Priceline's last 40% off skincare sale and have been liking it so far. Consistency-wise and in terms of application and how it dries on the skin, it reminds me of a more fluid, less tacky Trilogy Balancing Face Lotion. It's not as rich, instantly hydrating and soothing as La Roche-Posay Toleriane Riche, my favoured moisturiser for this time of year as the weather starts to cool down. However, the Botani has its advantages in that it is almost primer-like once absorbed into the skin, with a slight stickiness and no oiliness whatsoever which helps to prolong whatever foundation is placed on top of it.

Speaking of foundation, I've been squeezing a dollop of Bobbi Brown BB Cream in Fair into my hand, pressing my palms together and slapping the product onto my face. It's the quickest way to apply my base and does away with brushes entirely. When I first tried the Bobbi Brown BB cream in summer, I was disappointed with it as it sat on top of the skin and transferred/moved around crazily. But now that it's approaching winter and my skin is getting drier, plus with the primer-like Botani applied before, the BB cream just blends into and sticks to my face marvelously. In fact, I have to work relatively quickly to get it all on and blended evenly with my fingers before it starts to set. I'm most pleased with the product not balling up or getting blended away to nothingness even with fairly vigorous circular and smoothing hand actions, as has been my experience with similar products like Garnier Miracle Skin Cream. It gives a truly natural, soft focus and brightening finish, but is a light veil rather than anything heavier or more effective at hiding blemishes and perfecting skin tone. Occasionally, if I need a boost in coverage, I'll go over areas of redness or in need of highlighting (mainly T-zone and under the eyes) with my trusty NARS Radiant Creamy Concealer in Custard, still the best concealer I've tried.

For eyes, I've been also doing away with brushes and using just one product for eyeshadow, Maybelline Color Tattoo in Creamy Beige, supposedly a dupe for MAC Paint Pot in Groundwork which I've been meaning to buy for years. The midtone mushroom/taupe/putty shade provides just the right amount of definition, particularly for glasses wearers, without appearing too heavy or unnatural. The colour leans neutral enough that it doesn't drain the complexion like a lot of grey-leaning shades can. Next comes the hardest part which is doing my eyeliner with Dolly Wink Liquid Eyeliner, the results of which vary on a daily basis (not from the product itself which is brilliant, just from my unreliable hand). I'm back on an old fave, the tragically discontinued KIKO Eye Pencil in Glamorous, to define my lower lash line. The bright metallic copper complements deep brown eyes and contrasts well with the matte greige eyeshadow. I've been loyal to Essence I Love Extreme Crazy Volume Mascara, featured in my last makeup menu. I've already purchased a backup and can't picture myself using anything else. It's so affordable, very black, long lasting, lengthens, curls, adds volume, doesn't flake, serves margaritas and gives back massages.

l-r: Maybelline Creamy Beige, Clinique Nude Pop, KIKO Glamorous, Dolly Wink eyeliner

Finally, for cheeks, I've been rotating between NARS Madly, Benefit Rockateur, and Clinique Cheek Pop in Nude Pop, with the latter receiving the most love. Since the rest of the face is fairly minimal and dull, the warm peachy-beige Nude Pop perks the complexion right up and injects enough colour without being too red or orange. This is the only product I apply with a brush, being the angled, synthetic Morphe E4. It's natural, flattering, lasts longer than most blushes, and the spongy, bouncy Cheek Pop formula melds invisibly into the skin rather than sitting on top of it.

Winter Workers

Come this time of the year, I get lazier and lazier when it comes to skin care and makeup. My constitution is not built to withstand the cold. In the mornings, I can barely get myself out of the warm cocoon of my bed, let alone be bothered to wash my face and slap on makeup. At night, I need the simplest and most efficient way to get rid of the day's gunk and hydrate my face so it's not completely ravaged by winter. Here are the products I've been relying on to work their magic.

I'm a real beauty blogger, mom! Marble surfaces!

Oskia Renaissance Cleansing Gel
After literally years of hearing about this cleanser, I'm finally using it. It's okay. I'll give it 7/10. Slightly better than a lukewarm reception, but not undying love. I prefer Radical Hydrating Cleanser. It reminds me of a version of Dr Lewinn's Multi-Moisture Balm (also a distinctive orange colour) that can be washed off. It has a thin, oily texture that emulsifies when mixed with water. My face doesn't feel dry or tight after patting dry with a cloth, but it doesn't feel super plump and moisturised either.

Benefit Total Moisture Facial Cream
Had a 8.9g sample from the First Class Flirts Travel Set which I've used up. This did the trick in keeping my face pretty happy during the day after cleansing in the morning. It's super rich but not greasy. The only downside is its overpowering scent of chemicals and apples, like a high octane, somewhat putrid variant of Ralph Lauren Ralph. Still, once it's applied to the face, it feels like a smoothing, emollient layer between the skin and foundation. I noticed when I used this as my daily moisturiser, my face showed no signs of the dryness and flakiness that comes hand in hand with winter.

La Roche-Posay Cicaplast Lips
Nothing much to harp on about except to say this is a solid, effective lip balm. Instant soothing relief for chapped lips. Doesn't sting (no menthol), not oily like Vaseline, not ultra matte like Nuxe Rêve de Miel (still has some slip). I can see this being multipurpose — you could definitely use it on dry patches on the skin or even as a hand cream if desperate.

Avene Soothing Moisture Mask
One of my all-time favourite moisturisers (I don't use it as a mask). Currently I use it as a night cream, though I could easily use it for the daytime as well. Texture is superb, absorbs super well, feels immediately moisturising on a deep, satisfying level, never balls up when you apply it or otherwise acts up. Just perfection.

Clarins HydraQuench Cream-Mask
Mainly trying to use this up as I received this 30ml tube as a gift with purchase in late 2013. I alternate with the Avene as my night cream, after getting off all my makeup in the shower with Muji Cleansing Oil (which I'm increasingly disliking, mainly because once it's anywhere near the eyes, it stings and irritates). This one takes a bit more effort and time to thoroughly work into the skin, and isn't as hydrating as the Avene, but delivers similar results. Right now, I'm not using any other serums, face oils, or masks, I skip all toners and chemical exfoliation, just cleanse with an oil and apply this or the Avene at night. My drastically pared down routine has been working fine for me even in the thick of winter.

Weleda Skin Food
Possibly the richest cream I've encountered, and I say that in the best way possible. Wouldn't recommend for the face, but it's an amazing hand cream (though needs to be used sparingly if you don't want greasy fingers). Perhaps better as an overnight hand or foot treatment to avoid transfer. Botanical scent is heaven and very reminiscent of higher end skin care brands like Aesop.

NARS Madly
I've come around from my initial 'meh' review of this blush. Madly applied with my Morphe E4 is a lifesaver these days. 99% of the time in the frigid, dim mornings I can't be bothered with separate contouring or bronzing, so it works well as a matte all-in-one bronzer/contour/blush. It instantly enlivens the complexion and is an invaluable time-saver. The neutral shade also works with anything and looks natural while still injecting colour into the face.

Maybelline Color Tattoo in Creamy Beige
Another product I initially wasn't that into, but I've since warmed up to considerably. Lately, I've been favouring a vastly simplified, minimal makeup approach. I used to use at least two eyeshadows (one for the lid, then a deeper shade concentrated closer to the lash line and blended up and out for a subtly smoked out look), but now I stick to just the lid shade. I like the matte quality of Creamy Beige for sophisticated, office-friendly, subdued definition, though if you really scrutinise, it is slightly satin. I used to think it was still too cool-toned for my colouring, but I've been finding it more neutral-toned the more I wear it. It's quick and easy to apply with the fingers, lasts all day and doesn't crease or fade. Swatch and original review here.

Best of 2015

Is it just me, or are yearly favourites posts/videos not that exciting anymore? I'm not sensing as much interest in them as say, 2-3 years ago. Most bloggers do monthly favourites, so the yearly one is a "best of the monthly favourites" more than anything. Still, I wouldn't feel right not following tradition, so here are the products that stood out to me the most in 2015.

Morphe Brushes Jaclyn Hill Favorites Palette
Even though shipping cost more than the palette itself and I jumped through hoops to order it (including abruptly waking up at some obscene hour and entering my credit card details bleary-eyed), this 28-pan eyeshadow palette is a classic example of a product only a makeup junkie would buy, and could fully appreciate. Given it's limited edition, I feel happy and lucky even (corny as it sounds) to have it in my possession. There isn't a single dud in terms of pigmentation and texture. The matte shades are the best I've tried for the price point. Full review and swatches here.

Australis Velourlips Matte Lip Cream in Pa-ree
Though I have too many lip products to count, rarely do I encounter one that genuinely is a game changer. Pa-ree is just that. The matte lip cream formula is virtually faultless — far and away the most comfortable and forgiving I've tried, while remaining ultra matte and opaque. But the colour is what makes this product special. It's unlike any nude I've ever come across. A muted peachy caramel with slight greige tones. Obsessed.

YSL Le Teint Touche Éclat
My favourite foundation discovery of the year, beating other high end contenders like Koh Gen Do Aqua Foundation, Dior Diorskin Nude BB Creme and Giorgio Armani Luminous Silk Foundation. Simply put, Le Teint Touche Éclat beautifies your complexion while still retaining the appearance of natural skin. Good coverage and a soft, radiant, airbrushed finish. Especially great for dry skin.

Essie Cocktail Bling
I know buying Cocktail Bling ... can only mean one thing. That it'll be on my toes and fingers for pretty much most of the year, no exaggeration. I like it more than comparable, sophisticated neutrals like Nails Inc. Porchester Square or OPI Tickle My France-y. It's that kind of effortlessly cool colour you wear while dreaming of a Scandi kitchen and the perfect roll neck sweater.

Rimmel ScandalEyes Shadow Stick in Bad Girl Bronze
An ancient product, but one that I felt deserved a mention here. Absolutely on par with any high end offering, this has been a failproof, go-to option at home, on the run, and travelling abroad. Creamy but not hard to work with and intensely pigmented, the colour is gorgeous (look at the multi-coloured shimmer in the light and tell me otherwise), it lasts forever and the stick format ensures it can be used as eyeliner or cream shadow. Back up already purchased.

Maybelline HyperSharp Wing Liquid Liner
I didn't think I'd find anything to rival the Dolly Wink Liquid Eyeliner in last year's favourites, but I was pleasantly surprised at how good this Maybelline one is. I've been using it nonstop since I bought mine in August. It's everything you want in a liquid liner: easy to use, precise, a non-floppy or fraying tip, nicely black and not watery or grey, long wearing, and won't run out in a week (mine is admittedly on its last legs, but it has been over 4 months).

Rosebud Perfume Co. Rosebud Salve
I really didn't expect to like this as much as I did. Initially, I thought it was no better than slightly fancier Vaseline. But consistent use throughout the year has made me see the light. Soothing, moisturising and pleasant to use, it also gives the lips a cushiony, glossy rosiness that's awfully pretty.

Radical Hydrating Cleanser
Yes, $52 for a cleanser is steep, but this has been my standout skin care product of 2015. My tube hasn't run out yet, and I've been using it almost daily for 6 months, with a few short-lived breaks as I briefly turned my attention to other options. For a morning cleanser, I haven't come across anything better. Wonderful smelling, hydrating, non-foaming, gentle, nourishing-feeling, non-irritating to the eyes and easily washed off. Never leaves my skin feeling tight, dried out or stripped after I rinse it off.

Maybelline Lash Sensational Mascara
The best mascara I've used all year. Excellent wand that gets to each lash. Extends, thickens and curls while minimising clumping. Formula is long lasting, doesn't transfer or flake. Often compared with Benefit Roller Lash, I have a sample of Roller Lash and find Lash Sensational superior.

Charlotte Tilbury Powder & Sculpt Brush
Honestly, I don't even know why I continue to buy or look at buying brushes to contour, highlight, powder or apply blush when this exists. Especially contour. I doubt I could find anything better than the Powder & Sculpt Brush for that purpose. Apart from the fact it's absolutely beautiful to look at, it's extremely functional. The shape, the hairs (not too floppy that it's hard to pick up product, but not prickly or lacking in softness by any means), the handle. Everything works for the results you want.

Wayne Goss Brush 14
Now this is a soft brush. Only my Suqqu Cheek Brush is softer in my entire brush collection, but that was $160 and this was $50. Brush 14 is my new staple in pigmented or soft-textured powder blushes. It applies and blends product like a dream. For the quality and craftsmanship, I think it's actually priced competitively.

Charlotte Tilbury Filmstar Bronze & Glow
Saved for the best for last, you could say. I called it earlier in the year when I predicted this would appear here. While undeniably pricey, I can confidently say if you have this, you basically don't need any other contouring or highlighting products. Because the individual 'Sculpt' and 'Highlight' pans are the pinnacle of both fields. You also get a whopping 16g of product which will last forever. And of course, the packaging is DIVINE.

Two US Drugstore Buys

Last day of the year, why not squeeze in a (hopefully) quickie post about the two products I bought from the "drugstore" when in the US in September. One of the things I most look forward to while in the States is of course, the makeup shopping, especially when it comes to permanent products or limited edition releases not available in Australia. Which is precisely why I bought Maybelline Leather Color Tattoo in Creamy Beige and L'Oréal Infallible Eyeshadow in Amber Rush. The former is a matte shade, said to be a dupe of MAC Paint Pot in Groundwork, that hasn't been released in Australia (doubtful whether it ever will be), while the latter is a shade that is missing from the permanent line up here.

l-r: Maybelline Creamy Beige, L'Oréal Amber Rush

Both are excellent eyeshadows in terms of texture, pigmentation and application/performance. I do find that the Maybelline Color Tattoos dry out over time (unlike other cream shadows like MAC Paint Pots or Benefit Creaseless Cream Shadow), which is one major downside to them. But when they're fresh, they work brilliantly. Good colour pay off, easy to apply with the fingers, blend nicely, non-patchy, can be built up in pigmentation, long wear time. The L'Oréal Infallible eyeshadows are arguably even more exceptional. They're truly some of the most pigmented, ultra metallic eyeshadows on the market — high or low end. They're frequently compared with and described as a dupe for the Giorgio Armani Eyes To Kill Eyeshadows, especially since L'Oréal owns Giorgio Armani Beauty. However, my experience with them has been mixed (see reviews on the first five I bought, plus Tender Caramel, Bronzed Goddess and Metallic Lilac, Bronzed Taupe).

Assuming an eyeshadow meets the minimum quality requirements we now expect all eyeshadows to meet, the only factor between love and indifference is the shade itself. A tiny bit cooler-toned, or frostier in finish, a tinge more grey than brown, slightly darker or lighter, can make or break an eyeshadow. Since you can't really try out an eyeshadow on your lids at the store, more often than not, it's a process of trial and error; a long, arduous journey littered with disappointment, but punctuated by rare moments of triumph and redemption. Sadly, in the case of both Creamy Beige and Amber Rush, there was no spark.

Put simply, Creamy Beige applies too cool-toned on my lids — a bit too greyish and muddy against my complexion, not as medium neutral brown as I'd hoped (especially if it was meant to be a dupe for MAC Groundwork). It's a common complaint that if you've been reading me for a while, wouldn't come as a surprise. It's not completely terrible (like Rimmel ScandalEyes Shadow Stick in Trespassing Taupe, or even the Maybelline Color Tattoo in Tough as Taupe, which was unwearable for me), but it's still significantly off.

l-r: Urban Decay Trick, L'Oréal Amber Rush, Makeup Geek Grandstand, Urban Decay Chopper, Max Factor Auburn Envy

The problem with L'Oréal Amber Rush is IT IS WAY TOO SHIMMERY. Just look at it beside similar shades. It's practically white in comparison because of how frosty the finish is. I would've preferred if the metallic finish of the shadow was more in line with the coppery-orange base colour, rather than simply silvery/white. I just don't like how it looks on my lids ... too much mirror shine, not enough actual colour. Even if the extremely pronounced frost finish was toned down, the colour itself is something I have multiple approximations of, so the inclusion of it in my stash was wholly redundant. I do think the quality of the Infallible shadows is undeniable, and for that reason I continue to buy them (my collection is probably around 8-9), but there's not a single one I'm infatuated with. Because, as we know, it's all about the shade.

Budget to Luxe: Contouring

I recently saw a video where someone contoured their nose and cheekbones with Milani Shadow Eyez Eyeshadow Pencil in Brown Deluxe, using the remnant product left on their finger after first blending the cream shadow onto their eyelids. After seeing that, it occurred to me that so long as you find what works for you — anything can be used to contour. (Of course, having an enviable underlying bone structure doesn't hurt.) Still, for the rest of us that might not be so resourceful or genetically blessed, a dedicated contouring product (cream or powder) usually does the trick. I've rummaged through my collection and dug out four products I've bought, from cheap and cheerful to hideously expensive, in my quest to cheat some dimension and shape to my plump, flat face.

NYX Blush in Taupe
One of the very first contouring powders I'd heard about back in the day. Taupe was famed and coveted due to its reputation as a "drugstore" product that was distinctly cool-toned and grey, in contrast to the usual warmer, orangey bronzers out there. I bought it for $10 from a trade-only event over 3 years ago when NYX wasn't yet stocked at Target in Australia. Since then, I've only reached for it maybe 5 times? It's just too grey and too cool-toned for me. It might be a winner on paler skin tones (I imagine being in possession of actual cheekbones also goes a long way in liking/using the product), but it's never appeared effective or natural on me. It has a unique pinkish undertone when swatched, but it veers dangerously close to muddy and ashy on my skin. It looks more like I'm applying a dark grey eyeshadow to my face than anything else. Probably desirable if you're looking for a noticeable effect in photos, but otherwise a little jarring and odd in "real life".

Maybelline Master Sculpt Contour Palette in Medium/Dark
My favourite of the bunch, and the cheapest one to boot (I bought it on sale for $9.97). Like I said in my original review, it reminds me of a slightly more ashy Benefit Hoola. I wasn't expecting anything from a more affordable contouring powder, but was pleasantly surprised by how much I ended up liking it. It's more of a darker matte brown (mimicking the colour of a tan) than an artificial shadow painted in grey. It doesn't look murky or bruised on my face, but defining and natural. It's easy to blend but hard to overdo while still remaining nicely pigmented.

Illasmaqua Cream Pigment in Hollow
I'd seen the Pixiwoo girls use this a few times in their earlier videos, so while in a contouring craze a few months ago, I purchased it from Myer for just under $30. I was curious about how a cream contour would perform compared with a powder, and Hollow seemed to enjoy near cult status. I really had high expectations and wanted to love it, but the colour let me down. Firstly, it's a bit too light to be truly effective at sculpting my face. Secondly, it applies like a subtle, putty/concrete grey on me, almost like a shadowy, milky mink, which both clashes with and disappears into my yellow-toned skin. It does blend effortlessly and isn't too opaque so it can be gradually built up with the fingers, but I need something darker and more brown.

Kevyn Aucoin The Sculpting Powder in Medium
I held off buying this for ages because the price tag made me uncomfortable. But seeing it used in this Lisa Eldridge video was the final straw. (It also popped up in a few of Tanya Burr's videos and always looked utterly transformative on her.) I couldn't wait to slap some of this on myself, hopeful it'd work the same miracles on me. Sadly, as is a recurring theme in this post, the colour wasn't right. This time, while it's not overly grey (it's definitely more brown), it's too dark and cool-toned for my liking. If you put too little on, there isn't much of an effect, but if you put enough that you can see it doing something, it looks unattractively muddy and dirty. Maybe my technique and placement isn't right, or maybe the bark brown just doesn't mesh with my skin tone. Either way, this was an expensive fail.

l-r: Illamasqua Hollow, NYX Taupe, Maybelline Contour (Medium/Dark), Kevyn Aucoin Medium

l-r: Illamasqua Hollow, NYX Taupe, Maybelline Contour (Medium/Dark), Kevyn Aucoin Medium

After my experience with various contour powders/creams from every point of the price spectrum, I've concluded the best out there for me is a tie between two bronzers: Benefit Hoola and the Sculpt shade in Charlotte Tilbury Filmstar Bronze & Glow. Warmer medium brown shades work better for me than cool grey or taupes. Oh, and the tools you use are equally, if not more important. My picks: Charlotte Tilbury Powder & Sculpt or Models Prefer Mystique Blush Brush. Both made of soft natural hairs, they pick up pigment well and make the task of placement and blending easy.

October Favourites

Favourites time, and this month I've really been excited about my discoveries. Before I launch into the post, you may have noticed a little change with the blog. I've decided to increase the size of my pictures from 640 x 424 to 800 x 530 pixels. I'm all about moving with the times when it comes to image quality, kind of like upgrading to HD if I were on YouTube. It's also a challenge to myself to produce as good an image as I can, especially with swatches, since there's nowhere to hide when the picture is larger. Hopefully the bigger images are a welcome upgrade and don't cause any blog formatting/display issues (please let me know otherwise!). Back to the products ... three of them I purchased in the US, one from the city Sephora a couple of weeks ago, and another I'd only recently started using prior to my trip. All have been on high rotation throughout the month, with a good portion destined to be permanent staples.

Fresh Soy Face Cleanser
I've been favouring this as a morning cleanser over numerous other options (Radical Hydrating Cleanser, Emma Hardie Moringa Cleansing Balm, Lush Angels on Bare Skin, Innoxa Super Sensitive Crème Cleansing Milk). It has an unusual but refreshing, clean scent of cucumber. It's kind of foaming, but not overly so. I like that you can use a small amount and apply it to wet skin and it feels gel-like and calming on the skin, rather than liquidy and easily diluted. It doesn't leave the skin feeling dry or stripped, but gently and effectively cleansed and balanced. I wish Fresh were available in Australia!

Maybelline HyperSharp Wing Liquid Liner in Black
Already raved about here, but there's been no loss of enthusiasm with daily use in the past few weeks. This stuff really gets you a precise, sharp line, and is easy to manoeuvre with a little practice. The tip isn't floppy and doesn't fray, the ink stays black and pigmented, and depending on how you position the liner, you can get a quick, thick line, or make very fine, incremental adjustments. I'm genuinely impressed that a "drugstore" brand like Maybelline has produced a liner that's on par with the best I've used from higher end (Stila) or harder to find Asian brands (Dolly Wink, Creer Beaute).

KIKO Long Lasting Stick Eyeshadow in Rosy Brown (05)

KIKO Long Lasting Stick Eyeshadow in Rosy Brown (05)
When I stumbled across a KIKO store in Las Vegas (Fashion Show Mall), I couldn't contain my excitement. It was the last shop I expected to see, but needless to say, I was thrilled and through the entrance in 0.02 seconds. Mainly so I could buy a backup of my beloved Long Lasting Stick Eyeshadow in Golden Brown (06). I also wanted to stock up on the Glamorous Eye Pencil in 401, but it appears they tragically discontinued it? (The shop was only selling colourful shades at a discount, which signals to me they're trying to get rid of remaining stock.) I tried to get over that disappointment by focusing on my newly purchased Long Lasting Stick Eyeshadow in Rosy Brown, a rumoured bang on dupe for By Terry Ombre Blackstar Cream Eyeshadow in Misty Rock (I defy you to read this post and disagree). Dupe or no dupe, Rosy Brown is amazing. It's a taupey, mauvey, rosy, browny, silvery concoction that's highly metallic, extremely pigmented, long lasting and super quick and easy to whack onto the eyelids in the morning rush. Granted, I don't think every single shade of the Long Lasting Stick Eyeshadows is as brilliant as Golden Brown or Rosy Brown, but those two are absolute standouts and well worth having in your collection.

Clinique Bottom Lash Mascara in Black/Brown
I've wanted this mascara for ages, but wasn't prepared to shell out $28 for it in Australia. At $10.50 USD though, I could consider it (still wasn't cheap at around $17). I did berate myself for buying the wrong shade (I grabbed Black/Brown mistakenly, not realising there was a solely black shade which I would've preferred). But I kind of don't mind that I bought Black/Brown, as it's less severe when defining my lower lashes, giving a more natural, daytime-appropriate look. The tiny wand is designed to coat, separate and elongate each lower lash for maximum effect. Best of all, the formula keeps smudging, transferring and flaking at bay. I wore it to a wedding (makeup on at 9am, home by 1am the next day) and barely had to do any work cleaning up any smudging on my lower lash line that I regularly have to with other mascaras.

Kat Von D Metal Crush Eyeshadow in Thunderstruck
I do not buy single eyeshadows unless they're dirt cheap or exceptional. This thing of beauty falls under the latter category. As soon as I swatched it at Sephora, I was sold. It was the most stunning shade I'd laid eyes on. The pictures aren't doing it justice, especially as they were taken on an overcast day with no direct sunlight. But basically, Thunderstruck is a warm, pale gold with the most incredible peachy-pink shift. Trust me on this. And in case you're thinking I'm actually using it as an eyeshadow ... no no. This is a highlighter for me, all the way. One of the most gorgeous highlighters ever. It's not shimmery, it's not gritty, it's not pore-emphasising, it doesn't leave you looking greasy. It's so pigmented, finely milled, smooth and creamy in texture. It just gives you a polished, ethereal sheen. Love, love, love.