Green Glamour, Jetsetting Nowhere

Continued on from yesterday, part 2/17921 of rating my recent holiday beauty purchases.

Huda Beauty Emerald Obsessions Palette

Rating: 8/10

The first thing I've bought from Huda Beauty, since the bigger palettes are $$$ and at that price point, have to be truly exceptional to get me to purchase. Green seems to be the colour du jour and while this is not exactly the Melt Gemini palette, it swatched so beautifully in YouTube videos and had pretty good reviews, so I snapped it up when Sephora had their store-wide 15% off sale.

As a "green" palette, I appreciate the range of colours, textures and finishes you get. There's everything from glimmering pale sage green, matte seafoam, an almost Tiffany blue, turquoise-leaning metallics, khaki, olive, deep forest greens and a bright lime-yellow. Some might call it incoherent, but here, I like the variety. There are some shades that are unique to my collection, which is always a big plus when buying something new. The pigmentation ranges from "meh" (mainly one or two of the mattes) to surprisingly great.

The real question is: would I wear any of these shades? I can say that since I purchased it, I've played around with it a couple of times, but I've never worn it out. It's too green for daily office wear, and it's still too green for grocery shopping at the weekend. That's simply my personal comfort level/preference, not any judgement against those that wear colour whenever they please. Doesn't mean I don't like the palette or that I regret buying it. Just that I'm not going to get a lot of wear out of it. Probably the most neutral look you could achieve is the matte khaki shade all over the lid, with the option of the lightest glitter topper dabbed on the centre for added sparkle.

I have watched a whole bunch of tutorials using this palette on YouTube, and it's versatile enough to create a range of truly eye-catching looks. Having said that, I doubt I could recreate any of the looks on myself, with my monolids and shoddy eye makeup skills. I'm much more a "throw on one colour all over the lid, then a darker colour closer to the lash line if I can be bothered" kinda gal.

Omorovicza Queen of Hungary Mist

Rating: 8/10 (but 3/10 for affordability)

This is a repurchase. Can I say I was an OG fan, having first bought a bottle in 2013? The packaging is so luxe and beautiful, the spray is super fine (you can barely feel anything on your face, for better or worse), and I enjoy the scent. When I found out there was a 30ml bottle for $29, it seemed like an achievable way to bring back something very expensive but very nice into my life. Plus Mecca had complimentary express shipping on that day and that combined with 3 free samples of things I never asked for is usually enough to make me start typing in my PayPal details.

Fresh Facial on the Fly Skincare Set

Rating: 7/10

The price ($36, but I purchased at 15% off, so $30.6) was the main selling point of this set. You get the Soy Face Cleanser (20ml), Rose Face Mask (15ml) and Lotus Youth Preserve Face Cream (15ml). I've already tried the cleanser and enjoyed it (gently foaming, refreshing cucumber scent, ideal for mornings), and I recently tried the face cream while holidaying in Hawaii and LOVED it (I swear applying it as a night cream for a few days singlehandedly fixed my sunburned, dehydrated skin). I hadn't tried the Rose Face Mask but was curious to and would never buy the full size as it's too expensive. It's okay, nothing special. It has a watery, jelly consistency and adds more moisture into the skin. Nothing I'm crazy about or would repurchase. I have so many cleanser and face cream minis though, that I probably could have done without buying this set. Still, I convince myself these small sizes are great for travel, despite travelling, like, 3% of the 365 days in a year.

Rating Holiday Beauty Buys

And by "holiday beauty buys", I merely mean stuff I've purchased in the last couple of months leading up to Christmas. I've been visiting Sephora and Mecca Maxima/Cosmetica at an alarming rate, and couldn't pass up Priceline's recent 50% off makeup sale. And let's not even mention online shopping, probably my ultimate weakness. Dedicated trips to my Australia Post Parcel Locker constitute my most regular form of exercise.

In any effort to blog more often, I've decided to rate just 1-2 products per post. (Well, that might not be 100% true, it's more that I'm also lazy and doing a mammoth post featuring a lot of products is both a long hard slog to write and read.) So, little tid bits!

Speaking of photos, I've just read that Flickr, the website I use to upload photos for my blog, is implementing the below changes:

January 8, 2019: Free accounts will be limited to 1,000 photos and videos. Free accounts with more than 1,000 items will no longer be able to upload new photos or videos.

February 4, 2019: Any items over the 1,000-upload limit will be at risk of deletion, starting with the oldest of the items.

Which is to say I guess I've no choice but to start uploading my pictures directly to Blogger from now on, and that there could be disappearing images on the blog from February. Thanks, Flickr.

Anyway, back to the products.

Let's start with the biggest disappointment.

Maybelline Countdown Palette

Rating: 2/10

When I bought this, there was no tester in the store and no swatches or reviews online. But, because I was fairly happy with the Maybelline Soda Pop Palette, and noticing this palette was made in Italy (ooohhh), I took a chance. It is an insane $29.95 RRP in Australia, but I purchased this at half price from Priceline. There is no doubt in my mind if there was a tester, I wouldn't have wasted my money.

Billed as Maybelline's holiday palette, I was conjuring images of impossibly pigmented, sparkly, glittery shadows in flattering festive shades. The reality is, it's chalky, dry, chunky, lacking pigmentation (except for maybe one matte and two metallic shades), and just totally unnecessary in the scheme of the palettes I already own. If you like the matte berry/magenta/orange shades, I have everything from Anastasia Beverly Hills Modern Renaissance to the original Morphe x Jaclyn Hill Favorites Palette (the one that no one remembers or cares about anymore). The metallic goldy/peachy shades are also extremely reminiscent of the Too Faced Semi-Sweet Chocolate Bar Palette. Basically, I already have superior versions of the colours in this palette.

The four larger pans, which appear to be more eyeshadow bases or toppers and could even pass for face highlighters, are generic, uninspiring and very average in quality. They're so light in colour that they're more a sheen on the lids than anything that provides definition. The only shade that truly caught my eye, and that I had high hopes for, was the glittery copper at the centre bottom right. Sadly that also proved to be a letdown. Even then, it's still the most interesting and "special" shade in the entire palette, despite being flaky, weak in pigment, fall out central, and overall underwhelming. If I wanted a beautiful gold glitter topper, I could just get out my Charlotte Tilbury Dolce Vita quad, or the incomparable gold leaf shade in the Clarins Odyssey palette, still one of the most stunning things in makeup I've ever seen.

Lesson learned: don't buy unless there's a tester. And thoroughly scan existing inventory to see if anything matches what you already have. Of course, rational tests like this should be second nature for someone who has spent thousands of dollars on makeup. Let's hope failing constantly will one day produce change.

Maybelline Fit Me Loose Powder

Rating: 6.5/10

I was extremely hyped for this given NikkieTutorials swears by it and it takes approximately 12 years for anything "hot" to make it to Australia. I should've probably reflected on Nikkie's makeup style and application vs. my own in deciding to purchase this. I basically never powder and if I do, it's almost always with a pressed powder. In fact, this might be my very first loose powder purchase ... pretty remarkable when you consider how long I've been into makeup.

It has all the usual pitfalls of loose powders, being having to turn the jar upside down to get powder out, the struggle to get the right amount of product on your brush, the potential messiness and spillage. I use the best of the best to get it on my face (Wayne Goss Brush 00), and it does apply to the skin nicely and provide a more matte, smoother appearance. But my main feeling is I don't think it does anything for my makeup application. As oil control, it's entirely ineffective (I experienced little to no meaningful difference in how oily my skin was during the day using it and not using it). It perhaps locked in my base for a little bit longer, but seemingly at the expense of slightly cakier skin. I found that when used all over, other powders (blushes, highlighters) looked more chunky, visibly sitting on the surface and not melding into the skin, especially near the under eye area. I prefer a dewier, more glossy complexion, and I've accepted there is basically no good way to eliminate oils from the skin except for a good blot, so this loose powder just seems like a fiddly, extra step in my routine that provides no clear benefit. Results may be better if applied with a damp sponge, so at the very least there's room for improvement with experimentation.

It Doesn't Count When You're on Holiday

I've just come back from a week and a half in Hawaii, and surprisingly hauled more products over there than I anticipated. My bounty was at least double that of my previous holiday to Singapore/Malaysia, but I guess the shopping in the US is always a notch above other destinations. I tried to limit myself to things not yet released in Australia, or that potentially might never be, or items I've been eyeing that worked out to be a little cheaper. It did help that my trip coincided with the Sephora Beauty Insider Appreciation Event Sale, so I could get 10% off some of the stuff I bought (because after visiting the US in 2012 and again in 2015, I have an American profile). However, the horrid state of the Australian dollar did mean the savings were scant.

What I ended up getting (all prices in USD, multiply by 4.712% for tax and then 1.4 for AUD conversion):

• Kiehl's Lip Balm #1 in Pear ($9)
• Anastasia Beverly Hills Norvina palette ($42)
• Origins Bestsellers Best Skin Set ($29)
• Sunday Riley Flash Fix Kit ($28)
• Laline mini Body Souffle in Hawaii ($12.50)
• MAC Dazzleshadow Liquid in Rayon Rays and Not Afraid to Sparkle ($22 each)

I also repurchased a mini 50g tube of Origins Drink Up Intensive Overnight Mask ($12), a travel size MAC Fix+ ($12) and a travel size Laura Mercier Tinted Moisturiser in Nude ($24). 

I've wanted to try Sunday Riley Good Genes for forever, but at $154 for 30ml, forever had to wait. When I came across this Flash Fix Kit in Sephora, I had no cause for hesitation. At a relatively affordable $28 USD ($41 AUD), it contained 8ml of Good Genes and 30ml of Ceramic Slip Cleanser. The cleanser I could take or leave, as it seemed more targeted to oily/combination skin (and mine's more normal/dry), but I figured I was paying a pro rata amount to try Good Genes at a much more palatable price point. Engaging some basic maths: 8ml/30ml = 26.67%, multiplied by $154 AUD = exactly $41, the cost of the set. The cleanser was practically a bonus.

As excited as I was to try the set, Hawaii was probably not the best time and place to start. Good Genes is a lactic acid treatment and therefore you need to exercise extra caution in protecting your skin from the sun while using it. That didn't exactly click in my brain until the day after I tried it for the first time, then spent a day in full Hawaiian sunshine. Let's just say my skin didn't thank me for it. By necessity, I stayed far away from both Good Genes and Ceramic Slip for the rest of the trip. From my first impression, Good Genes is probably more potent than my skin is used to, so I'm not sure if it'll work for me. In terms of chemical exfoliation, I use Pixi Glow Tonic and have a 8ml tube of Drunk Elephant T.L.C. Framboos Glycolic Night Serum (plus a very old, completely neglected mini of Alpha-H Liquid Gold somewhere), so it's nothing new to me and I'm not lacking in options.

This Origins set was something I found hard to pass up due to the value proposition. At $29 USD ($43 AUD), it contains Plantscription Anti-Aging Power Serum (15ml), GinZing Energy-Boosting Gel Moisturiser (30ml), Dr. Andrew Weil for Origins Mega-Mushroom Relief & Resilience Soothing Treatment Lotion (100ml), Checks and Balances Frothy Face Wash (30ml) and Clear Improvement Active Charcoal Mask (15ml). The main appeal of Sephora to me are the minis and mini sets they come out with, so I spotted this one on the shelf and immediately picked it up.

I've been buying a lot of Origins lately (back in Sydney a few months prior, I'd purchased the limited edition Delete Dullness & Energise Gift Set for $64 which included High Potency Night-A-Mins Mineral-Enriched Renewal Cream (50ml), High Potency Night-A-Mins Skin Refining Oil (15ml), GinZing Refreshing Eye Cream (5ml) and GinZing Energy-Boosting Gel Moisturiser (30ml)). I think I'm going to take a break from Origins for the foreseeable future and either finish up everything I've purchased, and/or explore other brands. From what I've tried, their products look nice, perform decently enough, and are pleasant to use in terms of scent/texture, but the results on my skin haven't been transformative or anything.

The Kiehl's pear lip balm was something I intended to purchase in Australia, but never found it in stock. A colleague had it in her cosmetics bag, and I tried some and loved the authentic, juicy/watery scent, so I had put it on my mental wishlist to purchase. In the meantime, I'd bought the Lanolips pear lip balm as a substitute, but the scent was so disappointing to me that it only reinforced how much I wanted the Kiehl's. And yes, it's basically flavoured Vaseline (thin, borderline greasy and lightweight in feel), but a tube does last a long time and I have a lot of other thicker balms and lip treatments to even things out.

Laline is an Israeli body care/skin care brand that I first encountered while in San Francisco a few years ago, and I was sucked in by the "Hawaii exclusive" that they had for one of their body souffles. The scent is actually just their usual Ocean scent (with fragrance notes of sandalwood, cedarwood, jasmine and ginger), but the combination of not being available in Australia, the powder blue/gold seashell packaging and the rich but non-greasy texture was enough for me. I was debating buying the body scrub as well (they do a demonstration in store and your skin has never felt softer after), but I noticed my arm had broken out in little red dots after and the price was a little steep for me to pull the trigger.

I was undecided on whether to buy the Norvina palette by Anastasia Beverly Hills prior to my trip. When I first saw it, I was overcome with that familiar feeling of NEEDING it. But then I watched a few more YouTube videos where the reaction wasn't overwhelming positive, and my enthusiasm started to cool. Rationally, I knew the last thing I need is more eyeshadow (or ANY makeup for that matter), but a part of me still wanted to get at least one "big ticket" item while on holiday. So, Norvina it was.

First, the way it swatched in store impressed me. The colour that I thought would most draw me in (Soul) became the least appealing to me, as in person, I realised how unflattering it most likely would be when applied to the eyes. But what sealed the deal was the top row of shimmers that are so intense and dense feeling and smooth, they border on creams. You literally only need a light touch to deposit full pigment. I tried this palette the first time and stuck to the neutrals, with the matte Volatile blended over the lid, then pressed Dazzling over the centre of my lid with my finger and blended the edges, and it was the prettiest look I'd worn in a while. For me, the only slightly questionable colour is Drama as it had more of a gritty texture that needed a few passes with the finger to blend out smoothly in the swatch (reminded me a lot of the metallics in some Sleek i-Divine Eyeshadow Palettes). I also feel like I've seen that type of deep purply-brown in a lot of places and never use it. The same could be said for the golds/bronzes, but at least they're timeless staples.

(On a somewhat unrelated note, I'm starting to become convinced I am allergic to pinky/red shades. Every time I put them on my eyes, I get itchy, which invariably leads to swelling, redness, then dryness/scaliness the next day. Happened when I paired Love and Wild Child, happened when I tried the Natasha Denona Joya palette.)

l-r: Rayon Rays, Not Afraid to Sparkle

I've been drawn to the Stila Glitter & Glow Liquid Eyeshadows pretty much since they launched, but have yet to purchase one. I've deeply regretted passing on the set of 3 minis in Rose Gold Retro, Kitten Karma and Smoldering Satin. They've since released more sets, but with other, less appealing shades. When I saw MAC launched a new product called Dazzleshadow Liquid, it was clear these were their version of the Stila Glitter & Glow Liquid Eyeshadows.

I'd first seen Rayon Rays on makeup artist and earring aficionado Katie Jane Hughes, and it appeared the most "wearable" colour for my eyeshadow preferences, so that one was a no-brainer. But I also simply loved the iridescent glitter in Not Afraid to Sparkle (very reminiscent of Stila Perlina, which I was very tempted by but didn't buy), so why deny myself? At $22 USD ($32.25 AUD), they're barely $3 cheaper than the Stila shadows, but for some reason the MAC Dazzleshadow Liquid is priced at $40 in Australia, so the notion of "saving" a few dollars proved persuasive. To be honest, most of the shades were really eye-catching and pretty, especially under the bright department store lights. It was hard to narrow it down to just 2. I can't compare the MAC and Stila, but I suspect they're very similar in every respect, and any differences would come down to your preferred shades and packaging. I intend to wear these as a topper over powder eyeshadow, primarily for special occasions like parties/weddings for that extra festivity and sparkle, but equally on an ordinary Tuesday when you just feel like adding some glitter.

Current Makeup Menu #4

I was meant to be on a makeup spending ban for 3 months from the end of January, but it all collapsed at the halfway mark when Anastasia Beverly Hills released the Amrezy highlighter. Before I spectacularly caved (because the purchases didn't just stop at the highlighter), I'd been trying to content myself with my already overstuffed makeup collection. My current favourites include rediscovered gems in my stash, as well as a new concealer that seemed to be in every single Best of 2017 video I watched.

Benefit That Gal Brightening Face Primer
This mini was in the First Class Flirts travel set purchased in September 2015, and I've been trying to use it up as it's too good just to let expire in my makeup drawers. It's a pearlescent pink with a lightweight moisturiser feel that provides a brightening, smoothing effect. The scent is also a pleasantly fruity one that makes it enjoyable to apply in the mornings on top of my moisturiser but before makeup. I like that the skin enhancement effect is more subtle and not achieved through overwhelming shimmer particles that can leave you looking like a greaseball. It imparts more of a soft focus, pearly glow that lifts the complexion. I get very minimal pilling with this (occasionally a tiny bit near my chin if I rub a touch too enthusiastically), but generally it absorbs into the skin with no issues. Best of all, to my surprise, the full size product contains 11g compared with the 7.5g in the mini. The full size also has some weird gluestick-with-a-sponge-tip packaging, whereas the mini is a simple squeezy tube. I definitely know which one I prefer, especially for what I paid.

Too Faced Semi-Sweet Chocolate Bar Palette
Previously featured in my April 2015 Favourites, I've been using this almost daily and my appreciation only grows. As more and more eyeshadow palettes are released and the market becomes completely saturated, I'm beginning to feel nostalgia for a simpler time, when a major palette release from a brand would conjure genuine hype — because the product was actually good. Semi-Sweet has all you need ... those gorgeous light-to-medium neutral mattes (Nougat, Mousse, Peanut Butter, Puddin'), beautiful shimmers in pewter, copper and gilded peach, darker, high performing matte and shimmer shades to deepen your looks (Licorice, Truffled, Hot Fudge, Cocoa Chili), a pop of colour, big highlight and cream matte pans, and an angelic glitter top coat. The only downside is some of the darker shades do have A LOT of fallout, but if you do the eyes first then wipe the mess away with some Bioderma on a cotton pad, it's not a big deal. Bonus points: smells positively edible.

Milani Baked Blush in Luminoso
I don't love this 100% on its own (I find it a bit too light for my skin tone and the colour is too much of a pale orange as opposed to a more flattering, summery coral), but I find it adds a gorgeous goldy-peachy sheen on top of a darker blush that's applied first. Somewhat like a shimmery blush topper, if you will. The texture is beautifully smooth and the powder blends out effortlessly with my Wayne Goss Brush 14.

Bourjois Little Round Pot Blush in Rose Coup de Foudre
Speaking of darker colours to apply with Milani Luminoso, the one I've been pairing it with lately is Bourjois Rose Coup de Foudre. It's darker and more pink than Luminoso, but still has that same gold thread running through it that perks up and beautifies the complexion. The only problem is the entire surface of the blush regularly seals, so I periodically have to run a cotton bud across the dome to loosen the pigment. I also use a slightly stiffer brush (at least compared with the long-haired and floppy Wayne Goss Brush 14) in the form of my Zoeva Luxe Sheer Cheek Brush to apply it.

NARS Soft Matte Complete Concealer in Medium 1 Custard
I adore the NARS Radiant Creamy Concealer, and every blogger under the sun put the Soft Matte Concealer on their yearly favourites, so I was convinced I needed the Soft Matte Concealer in my life. I purchased mine for $44 from Mecca Maxima with little hesitation. It hasn't disappointed. While I'm not totally convinced it is better than the Radiant Creamy Concealer, it's up there among the best concealers I've tried. It's been living in my handbag for daily late afternoon touch ups when my foundation is losing its staying power and sliding off my face. It's a drier, higher coverage, longer lasting formula than Radiant Creamy Concealer, and hence I find targeted to more oily/combination skin. However, it still blends really easily with the fingers, sinks into the skin, and the shade match is good, albeit slightly too light if I go in a bit too heavily around areas of redness I want to even out. You get 6.2g of product which should last an eternity, as you only need a tiny amount each time.

Benefit Posie Tint
These Benefit liquid tints are underrated in my opinion. Posie Tint is one of the more forgiving ones (compared with the other two I have, Cha Cha Tint and Benetint), in that it's not too difficult to work with, doesn't last 4 days on your skin after showering and scrubbing, and has some blendability. I really want Lollitint, because I'm actually obsessed with all things orchid. That's right, I'm still into the Pantone Colour of the Year 2014, people.

I've been enjoying Posietint worked into the cheeks for a pretty, youthful flush that isn't too cool-toned and doesn't immediately draw attention to the red in my face as pinks tend to do. I also love it on the lips (dabbed on with the fingers over slightly moisturised lips for a fresher, less "done" look) for a long lasting, truly kiss-proof pout. Full review with how it looks like on my cheek here, where you can also see what a pristine bottle looks like before everything scratched off in the ensuing 3.5 years.

l-r: NARS Radiant Creamy Concealer in Custard, NARS Soft Matte Concealer in Custard, Bourjois Rose Coup de Foudre, Milani Luminoso, Benefit Posietint

Best of 2017

I haven't been inspired to do a yearly favourites in a couple of years, but felt motivated to put together something this year. Maybe because it dawned on me I've now been blogging for 6 years (craaaayyy, even with the significant drop in posts from 2016), maybe after reducing my exposure to a relentless reel of influencers' monthly favourites, hearing about what people have been enjoying and reaching for is genuinely interesting again, maybe because at the end of the day, I still just really like makeup, skin care, candles, fragrances, the whole shebang. I had a look through my blog posts, Instagram, and stuff lying around at home, and picked up the following 11 products as my standouts of 2017.

NYX Soft Matte Lip Cream in Abu Dhabi
Might as well say it. This is my favourite lip colour. The shade is perfection to me for a natural, beautifying, effortless pout. I even bought a backup because when you've found the one, you don't ever want to be without.

Revlon Ultra HD Matte Lipcolor in Seduction
A close second to Abu Dhabi, Seduction is a touch pinker and darker. Very similar texture, application and feel on the lips, which is to say it's soft, velvety, and gives the polish and relative longevity of a matte without sucking all the moisture from the lips. Full review here.

Physicians Formula Butter Bronzer in Bronzer
Haven't stopped using this since it came into my life. I went from skipping/total disinterest in bronzer for at least half a year (only using blush or a bronzer/blush hybrid like NARS Madly or Max Factor Creme Puff Blush in Nude Mauve) to using this with my Charlotte Tilbury Powder & Sculpt brush daily. It's so smooth, virtually blends itself, the shade isn't too dark so it's tricky to work with but pigmented enough that definition is easy to achieve. The colour is just the right mix of warmth for that summery, healthy glow and shadow for a believable contour.

Clinique Cheek Pop in Nude Pop
Just the perfect, everyday, neutral peachy-nude blush. The cheek equivalent of NYX Abu Dhabi. Goes with everything, instantly lifts a dull, tired complexion and makes you look fresh and alive. Creamy, non-powdery, satin texture that looks lit-from-within. Works a treat with the Morphe E4 patted up and down the cheekbones and onto the apples of the cheeks.

Nudestix Magnetic Eye Color in Night
This is one of those somewhat boring, unsexy products that I use all the time and haven't encountered a better version of. A fat, jet black, matte crayon like this is a great tool for monolids since it can draw a thick line quickly. I first do a winged liner with a fine, felt tip/brush eyeliner like Maybelline HyperSharp Wing Liquid Liner, then use this when I want to thicken and even out the shape my eyeliner from the inner corner to the beginning of the wing, giving the appearance of more rounded, larger eyes. The staying power is absolutely phenomenal. On the couple of times I've been naughty and slept in my makeup, pretty much everything is gone the morning after but this.

Benefit Creaseless Cream Eyeshadow/Liner in My Two Cents
I've been eyeing Charlotte Tilbury Eyes To Mesmerise in Bette for forever, but why would I spend $44 (not even including shipping) on it when I have My Two Cents? This is the perfect shimmering goldy-bronze on light-to-medium skin tones. On days I wear contacts, this is my go-to cream shadow paired with Rimmel ScandalEyes Shadow Stick in Bad Girl Bronze. I even picked this My Two Cents/Bad Girl Bronze combo for my eye makeup to an interstate wedding. Never fails.

l-r: NYX Abu Dhabi, Revlon Seduction, Clinique Nude Pop, Benefit My Two Cents, Physicians Formula Bronzer, Nudestix Night

Laura Mercier Fall in Love Illuminator Collection
I've been meaning to do a review of this for ages, but since it was limited edition from late last year, I felt there was kind of no point. I thank my lucky stars every time I use this that I took the plunge and purchased it, because usually I shy away from expensive items. This houses 4 of their highlighters in the shades Indiscretion (rose gold), Addiction (more conventional yellow gold), Devotion (an icy purplish shade) and Seduction (bronze). I usually go for Indiscretion or Devotion, as Addiction is a bit boring to me (still beautiful though) and Seduction is way too dark for a highlighter (great for eyeshadow/workable as shimmery bronzer). They are a drier, more gelée type formula (what I recall/imagine ABH So Hollywood to be like), and don't emphasise skin texture or pores. They don't go on extremely blinding at first instance, so can be built up to desired intensity. Best of all, I really do like that there's a bit of glitter in the mix. I just think it makes the shades that touch more interesting and eye-catching.

l-r: Indiscretion, Addiction, Devotion, Seduction

Tarte Tartelette in Bloom
At the beginning of the year, I was debating between Tartelette in Bloom and Anastasia Beverly Hills Modern Renaissance. The latter was sold out, so deciding which to buy came down to the one that wasn't out of stock. I ended up buying Modern Renaissance at the tail end of the year thinking I *needed* it, and now I can definitively say I prefer Tartelette in Bloom. Why? Simply, the colours. In the mornings when I'm doing my makeup for work, I don't really gravitate toward bright/dark pinks, reds and vibrant oranges. The rest of Modern Renaissance is also cool-toned (read: muddy and dull on my lids). But almost every shade in Tartelette in Bloom is flattering, office-friendly and foolproof. It's a complete palette with smooth, pigmented shadows that are a breeze to blend. Full review here.

Too Faced Hangover Primer
A fairly recent find given I only bought this in September, but I think I've finally found the primer for me. I don't think it does much in terms of oil control or improving longevity of your base, but it does create a more moisturised, plump, soothed canvas for your foundation to go on. On good skin days, coupled with this primer, my skin looks positively glowing and baby smooth. The coconut scent is delish, it's a pleasure to use and feels like a treat on the skin.

Crabtree & Evelyn Spiced Earl Grey Hand Therapy
Truly one of my favourite discoveries of 2017. The travel size lives in my makeup bag. I loved the tester so much in the shop I also bought the 100ml, but gifted that my mother. I'll have to resort to eBay to replenish my stock since this was sadly limited edition from last Christmas. I wish they would bottle the scent in a perfume. The smell is exactly as the name suggests. I didn't think earl grey in a hand cream could be done this right, but I'm happy to be proven wrong.

Gucci Bloom EDP
My current scent obsession. I can't even remember the last time I purchased a 100ml bottle of perfume (from a department store at that, not even Priceline/Chemist Warehouse/online), but it's a testament to how much I lurrrvee it. I also have the body lotion and rollerball, so I can live out my dreams and douse myself in the stuff. It's a somewhat old fashioned white floral that's been reimagined in a modern way. I like that it's not too dry or green on my skin, with a certain sweetness and creaminess that's been missing in other white florals I own (Estee Lauder Private Collection Tuberose Gardenia, Kai perfume oil). The dreamy ad campaign with Dakota Johnson, the millennial pink bottle, I'm a sucker for it all.

Glow, Glow and More Glow

I first was introduced to Charlotte Tilbury Instant Look in a Palette in Beauty Glow in Alix's Current Everyday Makeup Routine. Initially, I didn't think much of it, given it seemed like another beautiful but expensive makeup item that was beyond my buying capacity. But as I was lying in bed one night, I recalled how gorgeous it was and googled it out of curiosity. To my surprise, I discovered it for a not too outrageous price on NET-A-PORTER. For whatever reason, it was discounted by 20% and the pound to Australian dollar conversion (minus UK sales tax) ended up being more favourable than the local Australian price ($99) or the USD to AUD equivalent. Even with $10 AUD shipping, I paid all up under $65. Still pricey, but I want nice things okay.

What appealed to me was the fact it's a palette with both eye and cheek products. I only have one other palette that incorporates both eyeshadows and blushes, and that's the Laura Mercier Lingerie Eye & Cheek Palette, but even then that doesn't have a bronzer or highlighter. As the name "Instant Look in a Palette" suggests, everything you need is laid out in front of you, so your whole face can be done (base notwithstanding) in a matter of minutes. Charlotte herself demonstrates the palette in this video, though the model has a medium skin tone (and perfect face, lbr) so I didn't know exactly how the powders would look on a lighter complexion like mine. I just liked the idea of being able to travel with this one palette, especially for special occasions like to a wedding, which might call for a fully made up look.

This is the third iteration of the Instant Look in a Palette, with the first being Natural Beauty and the second Seductive Beauty. I was under the impression the past versions were limited edition and therefore would've sold out ages ago, but Cherie brought to my attention they're still available for purchase on the Australian Charlotte Tilbury website. There's plenty of information on the interwebs comparing all three versions, but briefly, Natural Beauty has more subtle, lighter eyeshadows and pink-toned blushes ("champagne, pink and neutral shades"), Seductive Beauty has more taupe/cool-toned eyeshadows, a warmer, darker contour and more pink-toned highlighter ("pale pink, taupe and chocolate brown shades") and Beauty Glow is more "rose-toned and bronze". I probably preferred the look of the cheek shades in Seductive Beauty, but the eye shades in Beauty Glow.

l-r: Eye Brighten, Eye Enhance, Eye Smoke

l-r: Face Highlight, Face Bronze

l-r: Filmstar Bronze & Glow Highlight, Beauty Glow Face Highlight, Beauty Glow Face Bronze, Filmstar Bronze & Glow Sculpt

l-r: Filmstar Bronze & Glow Highlight, Beauty Glow Face Highlight, Beauty Glow Face Bronze, Filmstar Bronze & Glow Sculpt

I was very curious to compare the Face Bronze and Face Highlight shades to the Charlotte Tilbury Filmstar Bronze and Glow palette. I wasn't able to get much information comparing the two prior to my purchase, except for one YouTube video where the reviewer remarked they looked the same. I wouldn't agree with that assessment. The highlight in the Filmstar Bronze & Glow is peachier and slightly darker, whereas the highlight in Beauty Glow is brighter, more champagne, cooler-toned, icier. The sculpt shade in Filmstar Bronze & Glow is darker, cooler, more of a contour powder, whereas the equivalent shade in Beauty Glow is warmer, lighter, more orange in tone — some people have compared it to Benefit Hoola Lite. I have read reviews that the quality of the face powders in the palettes aren't as good as standalone products like Filmstar Bronze & Glow, but I haven't noticed any major difference. Maybe the Beauty Glow highlighter is slightly chunkier and has a tendency to sit on top of the skin a tad more than the one in Filmstar Bronze & Glow, but by and large, they seem like the same formulation.

l-r: Cheek Pop, Cheek Swish

After using this palette for three weeks, I'm kind of on the fence about it. Yes, it is aesthetically beautiful, Italian-made, everything feels expensive and high quality (as it should!). Charlotte Tilbury knows how to sell her products, but at the same time, if they didn't deliver and perform, they wouldn't enjoy the popularity and good word of mouth they do.

My main issue with this palette is the shades. I thought I would love them, since rose gold and bronze is everything I love, but it's a different story when it comes to how they work on my face. First, I don't actually like the colour of the eyeshadows that much. The Eye Brighten is basically useless to me as I don't find any point in priming with a light shimmery powder eyeshadow (I use a dedicated cream eyeshadow for primer), and as an inner corner highlight, I could just use the Face Highlight. The Eye Enhance shade is meant to be the star of the show and a major selling point of the palette, but it doesn't excite me. I'm not talking the quality — the shadows are smooth, blendable, long-lasting and pigmented. I just mean the colour. It's honestly just not unique enough for me to really care. I have so many similar rose gold, coppery shades (e.g. Clinique Chubby Stick Eye Tint in Ample Amber, Benefit Creaseless Cream Shadow in My Two Cents, Holika Holika Jewel Light Marble Cushion Eyes in Orange Cappuccino), some of which are much more metallic and vibrant (e.g. Makeup Geek Grandstand, Colourpop Game Face, Urban Decay Chopper or Trick, Rimmel Eye Shadow Stick By Kate in Rose Gold). The Eye Enhance is actually on the lighter side for my skin tone. I prefer something darker but more neutral in colour as an easy, all-over lid wash, but this is distinctly orange-toned and gives more subtle shading and a glimmering effect. I then have to deepen the look with the matte chocolate brown Eye Smoke shade, but it's almost like that's not dark enough for what I want to achieve. I would have preferred something with more instant definition like Sable or Espresso from the LORAC Pro Palette, or Anastasia Beverly Hills Fudge.

Moving onto the cheek shades. Cheek Pop is your generic shimmery warm pink. The shimmer and pigment are intense, so I need a really soft, floppy brush like Wayne Goss Brush 14 or SUQQU Cheek Brush to apply it. Colour-wise, think NARS Orgasm or a multitude of shades in those little blush pots from Bourjois (if it begins with the word "rose", you're probably on the right track). If I thought Cheek Pop was pigmented, I hadn't seen anything until Cheek Swish. I genuinely do not understand the inclusion of this shade in the palette. It's so dark and brown and metallic. You would only need a minuscule amount and even then, it would have to be blended to death. I appreciate the thought of adding something that wasn't just another ho hum pink blush, but I would have preferred a less intimidating, more "wearable" peachy/nude shade (like Benefit Rockateur or Clinique Cheek Pop in Nude Pop). This is just too much effort to tackle on a daily basis, the fear of creating a muddy, shimmery mess constantly hovering over you. I used it as an eyeshadow and even then, it was uncomfortably dark. I love a daytime soft smoky eye, but this was overboard.

No one found it a little strange that the Cheek Swish shade was magnitudes darker than the Face Bronze shade? Those are going to be some really defined cheeks. While I prefer the Sculpt shade in Filmstar Bronze & Glow to the Face Bronze in Beauty Glow, I like that it's lighter and warmer so there is that point of difference, since there wouldn't be much excitement if they were identical shades. I use the Charlotte Tilbury Powder & Sculpt brush to apply it and it's a perfect pairing. The Face Highlight is probably one of my favourite things about the palette. It alone makes the entire look when everything is used together. Your face looks like it's basking in an ethereal glow, especially when some is placed down the bridge of the nose.

One final thing about the palette is that all the shades except Eye Smoke are shimmery, so you can imagine the overall look it's going to give you. I love to glow as much as the next person, but these aren't subtle in the shimmer stakes, nor are they liquid/cream textures that you might be able to blend more seamlessly into the skin. They're all powders and invariably have to sit on top of the skin, so even with careful blending, it's a lot to have shimmery eyeshadow and shimmery blush and shimmery contour and shimmery highlight. Naturally, your comfort level may vary. Of course you can try to tone things down by prepping and priming the skin well, adjusting the amount of product, maybe opting for a different matte blush or eyeshadows, and spritzing all over with a setting spray/face mist at the end.