Showing posts with label napoleon. Show all posts
Showing posts with label napoleon. Show all posts

Wednesday, July 15, 2015

High End Highlighter Wardrobe

Highlighter seems to be having a resurgent moment, despite never truly dropping off the radar. Still, with the release of Becca x Jaclyn Hill Shimmering Skin Perfector Pressed in Champagne Pop (purportedly breaking Sephora records for sales of a new item) and talk of "strobing", highlighting seems to be back bigger than ever. I've always loved highlighter (the obsession started at the very beginning of the blog), and still regard it as one of the most enjoyable aspects of makeup. Here, I've rounded up my high end powder highlighters. Among them are some of my favourite makeup items ever.



theBalm Mary-Lou Manizer
Generally regarded as one of the best highlighters out there, and for good reason. For anyone remotely into highlighter, the Mary-Lou Manizer is a must have (chances are, you already own it). This is the strongest, most visible highlighter out of the 5 I've featured. The texture can't be faulted: smooth, soft and buttery, almost creamy, not powdery in the slightest. It blends effortlessly. As it's so pigmented, it requires a light hand and applies best with a small fluffy brush like the SUQQU Cheek Brush.

Napoleon Perdis The Ultimate Contour Palette Highlight shade
Recently included in my January 2015 Favourites, there's been no loss of enthusiasm since. This one is special because it's glowy as opposed to shimmery or metallic. It's also the most refined in that you can't detect any shimmer particles — it just projects a luminous sheen. Excellent texture and quality.

Stila All Over Shimmer Powder in Kitten
I was fortunate to win this in the Stila Party in a Box set that also had a Lip Glaze in Kitten. Since then, I admit I haven't reached for it very often. I do like the colour, but texture-wise it's a bit chunky and not as finely milled as the others. The shimmer is more frosty on the skin and looks slightly gritty and dry.

Dior Diorskin Poudre Shimmer in Amber Diamond
One of those products I'm so thankful to have in my makeup collection, because I'm not sure how I could get my hands on it now. Christine of Temptalia calls it her "all-time favourite highlighter", though that declaration was 7 years ago. Still, I can understand why. As it's a gradated strip, there's more choice and versatility with the colour selection. Overall, it produces a very flattering, softly glowy effect that instantly adds radiance and dimension to the face. It has a slightly harder texture than the others so I prefer using it with a flatter, firmer brush like the Real Techniques Setting Brush. A softer, fluffier brush might not pick up enough product and distribute it in a concentrated enough manner along the cheekbones. Full review with swatches here.

Charlotte Tilbury Filmstar Bronze & Glow Highlight shade
Ahhh, the Filmstar Bronze & Glow. Such an incredible contouring palette and worth every penny. The Highlight shade in this duo is powerfully luminising but not greasy or pore-accentuating. Being so smooth and soft in texture but not crumbly, it blends with hardly any effort. I almost exclusively apply it with the Charlotte Tilbury Powder & Sculpt Brush which places and diffuses the product brilliantly.

l-r: theBalm Mary-Lou Manizer, Napoleon Perdis Highlight, Stila Kitten, Dior Amber Diamond, Charlotte Tilbury Highlight

l-r: theBalm Mary-Lou Manizer, Napoleon Perdis Highlight, Stila Kitten, Dior Amber Diamond, Charlotte Tilbury Highlight

Colour-wise, theBalm Mary-Lou Manizer is the most yellow-leaning/champagne. The Napoleon Perdis is an ethereal pearly pink and the lightest. Stila Kitten is a rose gold/pinky bronze with a touch of frostiness. Dior Amber Diamond (mixed together) leans the most orange/copper, though the exact colour obviously depends on what section of the strip your brush is dipped into. (The lightest shade to the left, a pale yellow gold, is a stunning inner corner highlight.) The Charlotte Tilbury is like a peachier Mary-Lou Manizer, with glints of yellow, orange and pink when inspected under the light.


There's just something about highlighter that injects instant glamour and lift to the face. It literally brings light to the complexion and is that final, beautifying step that ties everything together. I don't wear it every day, but when I do, I'm reminded how much an impact it does make. Plus, it's just fun. Who doesn't want to cheat higher, more prominent cheekbones or give themselves a touch more glow? Since I took photos for this post, I may have purchased theBalm Cindy-Lou Manizer and pre-ordered Becca Champagne Pop. I'm still looking to eventually add Kevyn Aucoin Candlelight to my collection. And while it's not a powder, I think I need some of the MAC Cream Colour Bases. I was fixated on highlighter in the early stages of the blog and I'm still hunting down highlighters now. Some old loves show no signs of fading.

Saturday, February 7, 2015

January Favourites

Monthly favourites posts can be a chore to write (mainly because my enthusiasm for something earlier in the month usually has diminished by the end of it), but I find them to be the best chronicle of my relationship with makeup over time. There's something inherently worthwhile in bringing together in one post what I consistently reached for, enjoyed and appreciated, discovered or re-discovered in the preceding month. Reading back on old favourites posts always evokes memories of that particular point in time and reminds me of products in my stash I previously loved but may have since forgotten. This month, I was focused on substituting things I wanted to buy with what I already owned, paying more attention to unloved high end products, and unearthing a couple of olfactory gems.


Savvy by DB Luxury Liner in Shimmering Slate
A theme I'm attempting to stick to this year is using up stuff. Sure, I completely failed at my no-buy list, but the main point is remaining conscious of reducing excess and appreciating/utilising what I have. This eyeliner has long been a favourite, and after a concerted effort to use it most mornings, I'm now half-way finished with the last of several backups I purchased 3 years ago. That actually makes me kind of sad, since it's a damn good pencil. Very smooth and creamy, very opaque, stays on and lasts the whole day. What more I could ask for.



Napoleon Perdis Ultimate Contour Palette
Well specifically, the highlight shade. How on earth did I forget or never properly notice in the first place how phenomenal it is? What I love about it: a) it is the smoothest, soft but not powdery, most finely milled powder that basically blends itself (seriously, one swipe with my Real Techniques Setting Brush and I have cheekbones) b) it's not too yellow/orange or too white/silvery, but a beautiful pink-tinged opal c) it's powerfully luminising, sits beautifully on the skin and isn't overly frosty or too subtle d) it doesn't fade or wear off completely by the end of the day. This is up, UP there with the best of the best, including Dior Amber Diamond, Jemma Kidd Dewy Glow All Over Radiance Crème in Rose Gold and theBalm Mary-Lou Manizer, and dare I say it, my current #1 out of them all.


Shay and Blue Salt Caramel
I was not intending to buy this, but so incredible was the smell, I was hopelessly hooked within minutes of first sniffing it at David Jones. It pained me to shell out $60 for 30ml, but I didn't want to be in the position of going home empty-handed and regretting it because in Kylie Minogue style, I couldn't get it out of my head. For those that follow me on Instagram, you may have already heard me wax lyrical about the smell. It's intensely buttery, almost popcorn/nutty, toffee-ish but somehow not cloying or artificial, with a sea salt note that cuts through and adds character and interest. Wear it and be a walking dessert.


MOZI Gardenia Hand Cream
Gardenia, you say? Sign me up. I love anything gardenia and am constantly seeking a good gardenia-scented product or perfume, so when I spotted this hand cream at Myer before Christmas, I had to try the sample. I adored both the delicate floral fragrance and the nourishing cream itself, but was hesitant to pay $30 for a 100ml tube. You can imagine just how thrilled I was then, to discover it on sale in early January. I believe this is a limited edition product (sob) and it was the very last one, so tell me that ain't fate.


Nude by Nature Soft Focus Illuminator
I've had this for an eternity but never used it, despite having opened the tube. I was contemplating just chucking it out (mainly because I was paranoid it would cause me to break out), but was primarily motivated to dig it out and give it a go after convincing myself of its similarities to Charlotte Tilbury Wonderglow. It probably isn't anything like it, but a close enough substitution to satiate my immediate curiosity. I had fun experimenting with a multi-purpose, subtly glowing, golden liquid highlighter. I liked mixing it with my moisturiser, almost like a radiance-boosting primer, then using it again on the high points of my face before applying foundation.


Laura Mercier Mineral Powder
This is one of those products that I lament not reaching for more. There's nothing wrong with it, but I find it takes a bit longer to slap on than liquid foundation — not ideal when I'm in a rush in the mornings. It's also a tad unpredictable, in that I can never know when I'll apply it too thickly and appear oddly white in sunlight or under flash photography. It's also super fiddly and powder gets everywhere when I'm unscrewing the cap or tipping a bit of the powder into the lid so I don't overload my brush.

All those quibbles aside, this powder is top stuff. I can be assured it doesn't break me out, it has excellent coverage, the finish is radiant without being greasy or shiny, and it controls oil better than most foundations. Some days I simply don't want to bother with liquid foundation, BB creams or tinted moisturisers — generally just anything wet. That's when I'm glad I have this. I can use it all over my face, including over my eyelids, and it doesn't leave my skin tacky or damp. It truly feels weightless and blends seamlessly into the skin with my Real Techniques Buffing Brush (though I usually go over with my fingers to get rid of any remnant cakiness). I had reservations that the shade Real Sand was slightly too light for me, but the effect is moderated by applying a relatively thin layer and adding bronzer/blush. Failing that, there's always Hourglass Ambient Lighting Powder in Dim Light to tone down any excess paleness.

Saturday, January 3, 2015

Best of 2014: Beauty

Full disclosure: I found the third year of maintaining this blog challenging. You know I do it for the fun of it and I've always kept it real, but somewhere along the way I lost steam and found it all a bit forced and stale. Don't get me wrong, I still liked makeup, I just didn't feel so enthused with having to write about it.

For a few months, blogging took a backseat as my 20-something year old self tried to figure some identity/life/relationship stuff out (I still haven't, but it's a work in progress). Basically, it was kind of a weird year. It wasn't just blogging that I lost interest in, but it was one of the easiest things to let fall by the wayside. Beauty blogging is inherently not that deep (as distinct from personal, which I feel it absolutely can be), since at the end of the day the conversation revolves around what you're using to paint your face to make it look better, and I wasn't sure I had the energy, ingenuity and lightness of heart to elaborate on another neutral eyeshadow or peachy lipstick without collapsing into boredom or detecting my own insincerity.

It wasn't until my much-needed holiday to Japan in September that I could recharge, reconnect with my interests, and even feel excited to create content again. In some ways, a dip in enthusiasm is inevitable with any long relationship, but I haven't lost any appreciation or capacity to be entertained and to learn when it comes to "beauty".

From newer readers to those who've stuck with me since the beginning and are still here, more than ever, I'm grateful for you. You keep this blog alive and give me a platform to connect with you and be heard. This year, I might even branch out into some non-beauty stuff occasionally to shake things up and get a little more personal. Until then, in true annual tradition, here are my top beauty products of 2014.


NARS Radiant Creamy Concealer
Quite simply, the best concealer I've ever tried. Does everything you want a good concealer to do, including covering up pesky pimples, scarring, areas of redness and uneven skin tone. Best of all, it's a breeze to use and extremely portable. I usually put some on the back of my hand with the applicator and dab the product onto my face with my fingers. No intricate, patient brush work required, no issues with disturbing your existing makeup or the concealer being too dry or hard in texture. It's just the right amount of creaminess to blend into the skin effortlessly while still adhering to the skin and not slipping/sliding off or transferring. Instant repurchase material.

Australis Nail Colour in K-Pop
If I had to nominate an "It" nail polish colour of 2014 that I gravitated to repeatedly, it would be this bright, mid-tone pinky purple. Estée kicked things off when I saw her wear Essie Splash of Grenadine in one of her videos, and soon I couldn't get enough of similar hues (see Rimmel 60 Seconds Nail Polish in Lucky Lilac, Essence Colour & Go in Purple Sugar). My favourite variation of the shade would definitely be Australis K-Pop. Just the right balance of pastel and neon, and not too dark. Formula is smooth and easy to work with, requiring only two coats for full opacity.


Napoleon Perdis Cream Blush
Who knew a magazine freebie could be so good? It's conveniently compact making it perfect for travel or to pop in the makeup bag (I've done both), it imparts a fresh, wholesome, natural flush that injects instant life to the face, wear time is excellent, it's light but creamy in texture and doesn't apply patchily or cling to areas of dry skin. Virtually faultless.

Chanel Vitalumière Aqua
My foundation discovery came late in the year but I wish I'd made it much earlier. What most delights me about Vitalumière Aqua is it really sets on the skin. While a bit of shine does come to the surface as the day goes on, all things considered, it's impressively transfer-proof. The quintessential "no makeup makeup" base, it provides good, subtly radiance-boosting coverage while still appearing natural and not completely erasing the skin's underlying qualities.

Real Techniques Multi Task Brush
I never thought the day would come when I'd ditch my Real Techniques Buffing Brush for anything else to apply my foundation. I made the switch in the middle of the year and haven't looked back. While I previously used the Multi Task Brush mainly for powder products (contouring, blush), this works like a charm for liquid foundation, especially slightly thicker, heavier coverage bases that can get a little cakey if not blended out completely. Simply put, the Multi Task Brush involves less work than the Buffing Brush, and the longer, softer but still fairly dense bristles feel nicer on the skin while delivering a streak-free, airbrushed finish.


MAC 217 Blending Brush
There's a reason this is such a popular, oft-relied upon, frequently raved about brush. The first time I used a MAC 217, I instantly understood the hype. The brush applies eyeshadow slightly higher up than what I'm used to, creating more of a rounder shape where the shadow follows the natural curve of the eye all the way around, giving the appearance of bigger eyes. The edges almost appear naturally diffused and never look harsh or too defined, though the actual effort involved is next to zero. The somewhat firm but still fluffy bristles pick up product brilliantly so that colour is really concentrated when it's applied to the lids.

Dolly Wink Liquid Eyeliner in Deep Black
I featured the Stila Stay All Day Waterproof Liquid Eyeliner in my 2013 Favourites, but I've managed to find something even better. While very similar, the Dolly Wink gives me even more precision and control. It's no exaggeration to say it virtually revolutionised the way I draw my eyeliner. Because of the ultra-fine tip and how inky black but not overly wet it is, it enabled me to experiment with different shapes and lines that better suited my monolids (essentially, partially drawing the line with my eyes open rather than closed). The only problem is that it does run out quicker than the Stila and since I bought mine in Japan, I'm anticipating a real struggle to find an online stockist that ships to Australia at a reasonable price.

Benefit They're Real! Mascara
Definitively, the best mascara I've used. Even at $38 in Australia, I would repurchase without hesitation. I forget just how good it is when I stop using it. When I come back to it, as I did in the second half of 2014, it's a revelation all over again. Every other mascara seems substandard in comparison. It lengthens, curls, darkens and adds volume to the lashes without clumping or smudging. My short, barely visible Asian lashes need all the help they can get, and They're Real is the closest to a false lash effect I can achieve from mascara alone.


Urban Decay Naked3
We're all at the risk of suffering a bit of Naked overload, which is what makes the third Naked palette all the more impressive. Urban Decay managed to create 12 all new tantalising shades of even more neutral goodness that you never even knew you wanted. Like any good, thoughtfully assembled palette, the versatility and creative potential is all there in the shade selection. Personal favourites include the ultra-glittery Trick which I usually apply wet, sophisticated matte Nooner, and richly metallic Liar.

LORAC Pro Palette
Admittedly I didn't exactly give this palette a resoundingly positive review at first (mainly because I wasn't a huge fan of the actual colours in it), but I never faulted the quality or pigmentation of the shadows. One thing has won me over since, to the extent I'm placing the whole palette in my yearly favourites: the calibre of the matte shades, especially Sable and Espresso. These are the deepest, darkest, most intense mattes I have ever encountered. A light dip into the pan with my eyeshadow brush instantly adds incomparable depth and definition to any eyeshadow look. When I want immediate impact, those are the shades I reach for. And they've never let me down.

Friday, December 27, 2013

December Favourites

With the obligatory annual "best of" lists that pop up at the tail end of each year, I wasn't planning on posting a December Favourites. However, I came across a good number of products this month that I felt deserved their moment in the spotlight. Most were new acquisitions that I found myself genuinely pleased with, while others were rediscoveries of previously neglected products that I managed to put to good use.



Caudalie Make-Up Remover Cleansing Water Organic Grape Water & Camomile
My Bioderma Créaline H20 was leaving my skin feeling a little dry when I used it remove makeup from my face. Then I remembered this micellar water from Caudalie that came in the Must Have Set I purchased in March from Feel Unique. I find this cleansing water more refreshing and distinctly more moisturising than the more clinical, no-nonsense Bioderma, even if I still use Bioderma to get rid of more stubborn eye makeup. It has a "green" scent that reminds me of something vegetal but sweet. With a finishing spritz of Avene Thermal Spring Water all over, my skin feels hydrated and plump, like it can finally relax and breathe.



Topshop Blush in Head Over Heels
I've been putting off buying this cream blush for probably a couple of years and recently finally caved. It's a fairly affordable $12 and the packaging is compact, functional and adorable. I have no shortage of similar shades (or rather, I have no non-similar shades), but the texture is what impressed me. It reminds me a bit of the Chanel Le Blush Crème de Chanel cream blushes. It's not wet or emollient, it's more thin, dry and on the powdery side, but super easy to blend out, not patchy and very pigmented.

Napoleon Perdis Cream Blush
I was prepared to largely disregard this unnamed cream blush that was a freebie with the November issue of Australian InStyle magazine, dismissing it as generic and unexciting, but seeing it pop up in a couple of Monthly Favourites posts from Tashi and Kat made me revisit it. I was surprised at how this looked patted onto my cheeks after foundation — dewy, fresh and an instant complexion pick-me-up. Not too red, not too brown. A rare thing: a pink that I can pull off.



Rimmel Wake Me Up Concealer in Classic Beige (030)
I've heard good things about this concealer from Tanya Burr and I enjoy the Wake Me Up foundation (despite buying about 3 shades too dark), so this was another thing I picked up during Priceline's 40% off sale. As I mentioned in my outback packing post, I've had to tackle a lot of random dark spots on the lower half of my face from pimples that have diminished but left their mark. This concealer, while slightly lighter than my skin tone, works well to cover the spots so they're almost undetectable. It has a texture similar to Maybelline Fit Me concealer, except a bit more liquid, thinner and radiance-boosting. It also neutralises redness around the edges of the nose and brightens darker areas around the corners of the mouth.


Maybelline Volum' Express The Falsies in Blackest Black
I've been meaning to try this mascara for an age and finally picked up a tube from Chemist Warehouse when they had a 2 for $20 deal on Maybelline mascaras. I'm happy to report this mascara is a breeze to use and I've been reaching for it almost every day since I opened it. The wand isn't overly wet or overloaded with product and it provides good separation and length for a defined, natural look. I've experienced no noticeable issues with clumping, smudging or flaking. The curved wand helps lift the lashes upward from the roots and it's one of the best mascaras I've tried for the lower lashes, second only to Max Factor Masterpiece Max.


DKNY Be Delicious
I'd almost forgotten I owned this perfume but on a whim one morning decided to spritz it again. I don't know why I haven't worn this more because it's so much better than I remembered. It's comforting, sophisticated and warm, with top notes of grapefruit, cucumber and magnolia, middle notes of apple, tuberose, lily of the valley, rose and violet, and base notes of white amber and woods. Oddly, I don't detect that much green apple. It's a little sweet, a little tart, clean and mellow. Longevity and projection are excellent.

Sunday, May 6, 2012

Sculpt with Napoleon

Napoleon Perdis recently had a 40% off sale and my friend and I went to the World Square shop on George Street, fully intending to take advantage of such a generous discount. I'd never purchased anything from Napoleon before, mainly as I'm not familiar with their products (with the exception of DéVine Goddess Lipstick in Hara) and the prices are higher than what I'd normally be willing to spend on cosmetics. I don't have a lot of higher end makeup, though my countless relatively inexpensive purchases could probably be better spent on a select number of more luxe products.

While browsing the store, I debated whether to buy a Luminous Lip Veil from the latest Nude Bar collection, in Caramel Kiss or Pretty in Peach (the two were more or less the same on my lips). But I rationalised to myself that I barely ever wear lip gloss and I could probably buy something similar from a cheaper brand like Revlon. Nothing particularly was a must-have, but I finally settled on this Ultimate Contour Palette, seduced by the promise of "supermodel cheekbones" and the possibilities of the three pans: a pearly highlight, pinky coral blush and matte contour shade.







This is a high quality palette. The powder is finely milled, buttery soft and pigmented enough so that a light touch deposits colour, but not so pigmented that it becomes tricky to work with. Brushes pick up the product beautifully and I find blending to be easier. I was most excited about the contour shade, as I'd been looking to buy a matte bronzer for a while so that I could better experiment with contouring. I haven't mastered the technique just yet, but it's been fun to try different brushes and placement on the face. The highlight shade has become a new favourite. It's soft and subtle (without any visible shimmer) but has a luminous, brightening finish. Along with everyday use, this palette would be ideal for travel, containing everything you need for your face after applying foundation.
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